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Venugopala Under Kadamba Tree with Two Gopis

$1926.75
$2569
25% off
Includes any tariffs and taxes
Specifications
EP96
South Indian Temple Wood Carving
Height: 60 inch
Width: 19 inch
Depth: 6 inch
Weight 27.35 kg
Delivery and Return Policies
Usually ships in 40 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

A Divine Composition in Wood

Hand-carved in South India, this exquisite wooden panel brings to life a moment of divine serenity and playful charm. Crafted in the traditional style of temple art, every inch of this piece is imbued with meticulous detail, rich symbolism, and devotional energy. This is more than just a decorative piece; it's a window into the heart of Hindu mythology and artistry. The art of wood carving in South India is a legacy passed down through generations of artisans, each honing their skill to create objects of beauty and spiritual significance. It is especially prominent in the decoration and making of temples, and continues to be used for decorative purposes. The piece represents a high quality and artistic merit.

Krishna, the Enchanting Flute Player

The central figure of this carving is Krishna, an avatar of Vishnu. He stands in a graceful *tribhanga* pose – a triple-bend posture characteristic of Indian art – atop a blooming lotus. His hands hold a flute to his lips, ready to unleash the mesmerizing melody that enchanted not just the Gopis of Vrindavan, but all of creation. Krishna’s flute is not merely an instrument; it’s a symbol of his divine power to attract and captivate the souls of his devotees. The lotus, upon which he stands, symbolizes purity, spiritual awakening, and detachment from the material world. His poised stance reflects not only his form, but his graceful movement as Krishna dances. The artist has sculpted Krishna with a serene expression, radiating compassion and love. Adorned with ornate jewelry, he embodies both the playful cowherd and the supreme deity. His head is crowned with an elaborate headdress, reflecting the beauty and grandeur associated with Krishna.

The Kadamba Tree and Gopi Companions

Behind Krishna, the artist has rendered the Kadamba tree, a symbol of love, devotion, and the lush beauty of Vrindavan. The Kadamba tree is believed to be Krishna's favorite, under whose shade he would play his flute and dance with the Gopis. The tree is depicted here with abundant foliage and playful inhabitants, including peacocks, symbolizing beauty, immortality, and divine grace. The tree provides not only a backdrop, but serves as a divine canopy that shelters the Lord. Flanking the lotus pedestal are two Gopis (milkmaids), symbols of unconditional devotion and selfless love for Krishna. Their postures express adoration and a desire to surrender completely to the divine. The presence of the Gopis highlights the divine love between Krishna and his devotees. They act as attendants, their gestures and expressions reflecting their deep devotion to the Lord. This remarkable wooden panel is a testament to the enduring power of Hindu mythology and the skill of South Indian artisans. It will make an exquisite addition to any space, bringing with it a sense of peace, beauty, and spiritual connection.

Sculpting Serenity: Unveiling the Art of Crafting Wood Statues

Wood has been a preferred material for sculptures and statues since ancient times. It is easy to work with than most metals and stones and therefore requires less effort to shape it into any desired shape or form. The texture of the wood gives an element of realism to the sculpture. The selection of an appropriate wood type is necessary for carving. Woods that are too resinous or coniferous are not considered good for carving as their fiber is very soft and thus lacks strength. On the other hand, wood such as Mahogany, Oakwood, Walnut wood, Weet cherry wood, etc., are preferred by sculptors because their fiber is harder. A wood sculptor uses various tools such as a pointed chisel in one hand and a mallet in another to bring the wood to the desired measurement and to make intricate details on it. A carving knife is used to cut and smooth the wood. Other tools such as the gouge, V-tool, and coping saw also serve as important tools in wood carving. Although the wood carving technique is not as complex and tough as stone carving or metal sculpting, nonetheless, a wood carver requires a high level of skills and expertise to create a stunning sculpture.

1. Selecting the right wood

The process of wood carving begins with selecting a chunk of wood that is required according to the type and shape of the statue to be created by the sculptor. Both hardwoods and softwoods are used for making artistic pieces, however, hardwoods are preferred more than softer woods because of their durability and longevity. But if heavy detailing is to be done on the statue, wood with fine grain would be needed as it would be difficult to work with hardwood.
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2. Shaping the wood

Once the wood type is selected, the wood carver begins the general shaping process using gouges of various sizes. A gouge is a tool having a curved cutting edge which is useful in removing large unwanted portions of wood easily without splitting the wood. The sculptor always carves the wood across the grain of the wood and not against it.
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3. Adding detailing

When a refined shape of the statue is obtained, it is time for making details on the statue using different tools. This is achieved by using tools such as a veiner to make and a V-tool to create decorative and sharp cuts.
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4. Surface finishing

Once finer details have been added, the sculptor is ready to smoothen the surface and give it a perfect finish. Tools such as rasps and rifflers are used to get a smooth surface. The finer polishing is obtained by rubbing the surface with sandpaper. If a textured surface is required, this step is skipped. Finally, to protect the statue from excessive dirt accumulation, the sculptor applies natural oils such as walnut or linseed oil all over it. This also brings a natural sheen to the statue.
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How to care for Wood Statues?


Wood is extensively used in sculpting especially in countries like China, Germany, and Japan. One feature that makes the wood extremely suitable for making statues and sculptures is that it is light and can take very fine detail. It is easier for artists to work with wood than with other materials such as metal or stone. Both hardwoods, as well as softwood, are used for making sculptures. Wood is mainly used for indoor sculptures because it is not as durable as stone. Changes in weather cause wooden sculptures to split or be attacked by insects or fungus. The principal woods for making sculptures and statues are cedar, pine, walnut, oak, and mahogany. The most common technique that sculptors use to make sculptures out of wood is carving with a chisel and a mallet. Since wooden statues are prone to damage, fire, and rot, they require proper care and maintenance.

 

  • Wood tends to expand and contract even after it has been processed, thus it is always recommended to keep the wooden sculptures in rooms with little humidity. Excess moisture can harm your masterpiece.

 

  • Periodical dusting of the finished piece is necessary to maintain its beauty as dust accumulation on the surface takes away the shine of the sculpture. You can use a clean and soft cloth or a hairbrush for this purpose.

 

  • You must avoid applying any chemical-based solutions that may damage the wood from the inside. Instead, you can apply lemon oil or coconut oil using a cotton rag to the sculpture to bring out its natural shine. Lemon oil also helps to clean any stains on the sculpture.

 

  • Applying a layer of beeswax protects the wood from sun damage and hides even the smallest imperfections on the wood.

 

It is extremely important to preserve and protect wooden sculptures with proper care. A little carelessness and negligence can lead to their decay, resulting in losing all their beauty and strength. Therefore, a regular clean-up of the sculptures is a must to prolong their age and to maintain their shine and luster. 

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