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Stories About the Partition of India Volumes I-III
by Alok Bhalla
PAPERBACK (Edition: 1994)
MANOHAR PUBLISHERS & DISTRIBUTORS
Item Code: NAZ147
$50.00
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Educational Thoughts of Tagore and Whitehead Revisited
by Rita Sinha Dasgupta
PAPERBACK (Edition: 2010)
University of Calcutta
Item Code: NAZ152
$28.00
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Journal of the Department of Museology- Volume: Four (An Old Book)
by Chhanda Das
PAPERBACK (Edition: 2005)
University of Calcutta
Item Code: NAZ154
$12.00
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Kerala (An Authentic Handbook)
Item Code: NAZ169
$30.00
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Heritage of Kerala
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The Provinces of Bihar and Bengal Under Shahjahan
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The Six ways of Knowing (A Critical Study of the Advaita Theory of Knowledge)
by D.M. Datta
PAPERBACK (Edition: 2014)
University of Calcutta
Item Code: NAZ078
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A Sino-English Reader (An Old and Rare Book)
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Business Communities of India
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The Story of My Life
Item Code: NAZ168
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Indian Journal of Educational Research- Voume I (Old Book)
by Debjani Sengupta
PAPERBACK (Edition: 2012)
University of Calcutta
Item Code: NAZ170
$25.00
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Indian Journal of Educational Research- Voume II (Old Book)
by Debjani Sengupta
PAPERBACK (Edition: 2013)
University of Calcutta
Item Code: NAZ171
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Indian Journal of Educational Research Peer Reviewed - Voume III (Old Book)
by Debjani Sengupta
PAPERBACK (Edition: 2014)
University of Calcutta
Item Code: NAZ172
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Indian Journal of Educational Research Peer Reviewed - Voume IV (Old Book)
by Debjani Sengupta
PAPERBACK (Edition: 2015)
University of Calcutta
Item Code: NAZ173
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Indian Journal of Educational Research Peer Reviewed - Voume V
by Debjani Sengupta
PAPERBACK (Edition: 2016)
University of Calcutta
Item Code: NAZ174
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"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man's 'bhava-jagat'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - 'rasika', as he is called, witnesses a dramatic performance for the enjoyment of 'Rasa'... This 'Rasa'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject's instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created 'Rasa', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - 'gunas' as he called them; ten faults - 'doshas', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat's perception was thus broad as well as minute and analytical..."
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