I have witnessed the remarkable journey of Mr. Pratap Sarkar in the realms of dance and drama. His dedication to the arts is unparalleled, with boundless creativity and never ending passion towards dance. As a disciple, Mr. Pratap Sarkar has not only embraced the teachings but has elevated them with his own unique flair and innovation with every performance, effortlessly weaving together intricate movements and emotive expressions that captivate audiences. His commitment to the field of Bharatanatyam and dance dramas is evident in every graceful step and every heartfelt portrayal.
I have known Mr. Pratap for almost two decades. He has been a great student, always eager to learn and grow. His enthusiasm is inspiring others to strive for excellence and embrace the transformative power of the arts.
In the world of dance and drama, his journey is not just one of personal achievement but an inspiration for future generations of performers. I wish him great excellence in this field and beyond.
NRITHYA DARPANA is a book of Bharatanatyam written
by Sri Pratap Sarkar. He has touched the basic knowledge of dance and useful to Bharatanatyam students, as well as teachers or Gurus.
The notes on Navarasas, Hasthas, Tala's, Margam etc., stick to the point and avoid over lapping. Related slokas have been quoted clearly too avoiding laborious searching through pages of the original Abhinaya Darpanam books.
Congratulations Pratap, and I wish you all the best on this exciting journey as an author.
Indian classical dance is a vibrant and captivating art form that has been passed down through generations. It preserves the rich cultural heritage of the country. These dances are a harmonious blend of graceful movements and expressive gestures. They have their roots in ancient traditions and mythology. Each dance form represents the unique cultural identity of a specific region in India.
These dances captivate audiences with their beauty and storytelling.
In various parts of India, various dance forms have developed, each with its own distinctive nuances. However, the Natya Shastra's fundamental laws and regulations govern all of these dance styles, with the main tenet being that a guru is the only person who can truly impart knowledge. The guru imparts to the disciple knowledge of the various traditions or sampradayas. The core of Indian classical art is the 'guru-shishya parampara.'
There are eight classical dance styles in India.
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