PAINTINGS OF MUGHAL COURTESANS

"In Indian art generally, possibly because of its predominantly religious character, the symbolic level is always the more important. The depicted surface-reality always very strongly implies some general statement. For instance, the animals and plants of the Buddhist frescoes are not just animals and plants but symbols of the whole of creation, a statement that it is animated, that it feels and suffers."

"Jahangir the fourth Mughal emperor (r. 1605-27), was a lover of beauty, be it that of an artifact created by human hands or that observed in nature, the work of god. His memoirs, commonly known as Tuzuk-I-Jahangiri or, Jahangirnama, are as much an album of his aesthetic experiences as a chronicle of his reign. With his keen sensibility, these experiences were a permanent source of joy for him. Nature and beauty were preserved through the brush of his artists."

"As a tribute to a beautiful woman and as a monument for enduring love, the Taj reveals its subtleties when one explores it at leisure and not hurriedly. The rectangular base of Taj is in itself symbolic of the different sides from which to view a beautiful woman. The main gate is like a veil to a woman\'s face, which should be lifted delicately, gently and without haste on the wedding night. As per the charming Indian tradition the veil is lifted gently to reveal the beauty of the bride, in the couple\'s first night together."

Among all the many temples and landmarks throughout India, the Taj Mahal is undoubtedly the most iconic and internationally recognized of them all. See a photograph of the Taj Mahal and one automatically thinks of India. Not only is it a widely recognized monument but it is, in fact, considered as one of the greatest architectural achievements in all of Indo-Islamic culture.