Goddess Vajrayogini with Fire Arch | Crystal and Copper

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Goddess Vajrayogini with Fire Arch | Crystal and Copper

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Name: Goddess Vajrayogini with Fire Arch | Crystal and Copper
Brand: Exotic India
SKU: MIW501
Price: 2905.00 USD
Availability: InStock

$2723.25

$3631

25% off

Includes any tariffs and taxes

Only 1 available

Vajrayogini in Tibetan Buddhism is a female deity worshipped to gain the occult knowledge of enlightenment. The ethereal form of Vajrayogini is perfectly outlined in this Nepalese statue which depicts the goddess with a pristine crystal ornamented with delicate gold and precious stone embellishments. Sphatik or crystal in Buddhism is a potent stone, symbolic of supreme wisdom, making it a thoughtful choice for this Vajrayogini statue. Drinking from her skull cup and dancing over the enemies of Dhamma, Vajarayogini enthralls the onlooker.

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Specifications

	MIW501
	Crystal With Copper
	Height: 14.5 inch
	Width: 10.5 inch
	Depth: 5 inch
	Weight 4.20 kg

Delivery and Return Policies

	Usually ships in 6 days
	Returns and Exchanges accepted within 7 days
	Free Delivery

Easy Returns

Return within 7 days of
order delivery.See T&Cs

Fully Insured

All orders are fully insured
to ensure peace of mind.

100% Handmade

All products are
MADE IN INDIA.

Embodying Fierce Compassion: The Vajrayogini of Transmutation

This exquisite statue captures the potent energy of Vajrayogini, a Dakini and prominent figure in Tibetan Vajrayana Buddhism. Revered as the "Vajra-Yogini" or "Diamond Yoga," she is the embodiment of enlightened wisdom and transformative power. Her wrathful aspect symbolizes the fierce compassion needed to cut through ignorance and attachment, leading practitioners to swift enlightenment. The dynamic pose, with one leg raised and the other pressing down, signifies her victory over obstacles and her unwavering commitment to liberation. ––––––––––––––––––––

A Symphony of Materials and Symbolism

Crafted with remarkable artistry, this representation features a luminous crystal body, allowing the inner light of the deity to shine through, signifying purity and clarity. This is further enhanced by accents of rich copper, a metal often associated with divine energy and auspiciousness in various traditions. Adorned with a vibrant necklace of turquoise and coral beads, interspersed with miniature skull ornaments, the statue speaks to the cyclical nature of existence – birth, death, and rebirth. The skulls are not symbols of morbidity but rather represent the overcoming of ego and the understanding that all phenomena are impermanent, much like the ephemeral flames that encircle her. ––––––––––––––––––––

The Fire Arch: A Universal Symbol of Enlightenment

The magnificent aureole of flames surrounding Vajrayogini is a powerful visual metaphor. Fire, in many cultures, represents purification, destruction of negativity, and the illumination of consciousness. In Buddhist iconography, the flames symbolize the wisdom that burns away the impurities of the mind, revealing the innate Buddha-nature within. This particular arch, rendered in a radiant golden hue, suggests the brilliance of enlightenment and the vastness of the enlightened mind. The intricate, swirling patterns of the flames echo the dynamic flow of energy and the boundless nature of the divine. ––––––––––––––––––––

Echoes of Divine Victory

At the base, Vajrayogini stands triumphantly upon prostrate figures, often interpreted as representing obstacles to spiritual progress, such as attachment, anger, and delusion. Her forceful posture signifies the complete subjugation of these hindrances, clearing the path for spiritual realization. The lotus pedestal upon which she stands is a universal symbol of purity and spiritual awakening, signifying that even in the midst of suffering and worldly entanglement, the potential for enlightenment remains untainted. This statue is a powerful reminder of the transformative journey and the ultimate victory of wisdom over ignorance.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.

At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.

The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.

The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.