BOOKS ON NORTH INDIAN MUSIC

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Theory of Indian Music: Sangita Sastra Sangraha- Part II (With Notation, Only 1 copy in stock)
Theory of Indian Music: Sangita Sastra Sangraha- Part II (With Notation, Only 1 copy in stock)
By Dr. M.B. Vedavalli
AED152
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The Classical Music of North India (The Music of the Baba Allauddin Gharana as taught by Ali Akbar Khan at the Ali Akbar College of Music): Volume One The First Years Study
The Classical Music of North India (The Music of the Baba Allauddin Gharana as taught by Ali Akbar Khan at the Ali Akbar College of Music): Volume One The First Years Study
By Ali Akbar Khan , Notations and Explanatory text by George Ruckert
AED183.60
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The Innovative & Prevalent Ragas and Talas- In North Indian Classical Music (With Notations)
The Innovative & Prevalent Ragas and Talas- In North Indian Classical Music (With Notations)
By Prem Kishor Mishra
AED137
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Therapeutic Magic of Kathak: Based on the Research Study 'Scope of Kathak Dance As a Healing Therapy (with Special Focus on Acupressure)’
Therapeutic Magic of Kathak: Based on the Research Study 'Scope of Kathak Dance As a Healing Therapy (with Special Focus on Acupressure)’
By Ruchi Khare
AED119
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Indian Classical Music (An Audio Visual Guide)
Indian Classical Music (An Audio Visual Guide)
By Pt. Ravi Shankar Prasanna
AED127.20
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THE JOY OF CLASSICAL DANCES OF INDIA
THE JOY OF CLASSICAL DANCES OF INDIA
By Leela Samson, Illustrated By Jagdish Joshi
AED93
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Music Systems in India (A Comparative Study of Some of The Leading Music Systems of The 15th, 16th, 17th, and 18th Centuries) An Old and Rare Book
Music Systems in India (A Comparative Study of Some of The Leading Music Systems of The 15th, 16th, 17th, and 18th Centuries) An Old and Rare Book
By V. N. Bhatkhande
AED85
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A History of Indian Music (Set of 2 Volumes)
A History of Indian Music (Set of 2 Volumes)
By Paramahamsa Prajnanananda
AED126
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Theory Of Indian Music (The First Book Containing The Sentiments, Their Effects On Shrutis, Notes And Ragas In Ornamental Shape Along With Formation And Manner Of Display)
Theory Of Indian Music (The First Book Containing The Sentiments, Their Effects On Shrutis, Notes And Ragas In Ornamental Shape Along With Formation And Manner Of Display)
By RAM AVTAR 'VIR
AED115
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Swaraanginee - Composition in Moring, Afternoon and Evening Raags of North Indian Classical Music with Notation (With CD Inside)
Swaraanginee - Composition in Moring, Afternoon and Evening Raags of North Indian Classical Music with Notation (With CD Inside)
By Dr. Prabha Atre
AED228
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The Sangitopanisat-Saroddharah (A Fourteenth-Century Text on Music from Western India)
The Sangitopanisat-Saroddharah (A Fourteenth-Century Text on Music from Western India)
By Allyn Miner
AED159
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Dadasaheb Phalke (The Father of Indian Cinema)
Dadasaheb Phalke (The Father of Indian Cinema)
By Bapu Watve & translated by S. A. Virkar
AED100
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Indian Music
Indian Music
By Swami Rama
AED104
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Performing Self, Performing Gender (Reading the Lives of Women Performers in Colonial India)
Performing Self, Performing Gender (Reading the Lives of Women Performers in Colonial India)
By Sheetala Bhat
AED79.30
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Nrttaratnavali of Jaya Senapati- Critically Edited With English Introduction and Notes by Kavi Kokila, Sakala Kala Kalapa, Vidvat Kavindra, Vidya Vacaspati, Padmabhushan
Nrttaratnavali of Jaya Senapati- Critically Edited With English Introduction and Notes by Kavi Kokila, Sakala Kala Kalapa, Vidvat Kavindra, Vidya Vacaspati, Padmabhushan
By V. Raghavan
AED152
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Music and Modernity - North Indian Classical Music in an Age of Mechanical Reproduction
Music and Modernity - North Indian Classical Music in an Age of Mechanical Reproduction
By Amlan Das Gupta
AED122
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The Story of Indian Music and its Instruments (A Study of the Present and a Record of the Past)
The Story of Indian Music and its Instruments (A Study of the Present and a Record of the Past)
By Ethel Rosenthal
AED78
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The Grammar of South Indian Music (Karnatic Music)
The Grammar of South Indian Music (Karnatic Music)
By C. Subrahmanya Ayyar
AED100
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Traditional Indian Theatre: Multiple Streams
Traditional Indian Theatre: Multiple Streams
By Kapila Vatsyayan
AED126
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Khyal- Creativity within North India's Classical Music Tradition (With Audio Cassette)
Khyal- Creativity within North India's Classical Music Tradition (With Audio Cassette)
By Bonnie C. Wade
AED230.40
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Pitch Analysis in South Indian Music (With a Critical Examination of The Theory of 22 Sruti-s)
Pitch Analysis in South Indian Music (With a Critical Examination of The Theory of 22 Sruti-s)
By Madhu Mohan Komaragiri
AED163
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Sangita Sastra Sangraha (A Guide to Theory of Indian Music)
Sangita Sastra Sangraha (A Guide to Theory of Indian Music)
By Dr. M.B. Vedavalli
AED96
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Legends of Indian Silver Screen: The Winners of Dadasaheb Phalke Award (1992-2014)
Legends of Indian Silver Screen: The Winners of Dadasaheb Phalke Award (1992-2014)
Publisher Publications Division, Government of India
AED73.15
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A Moment In Time (With Legends of Indian Arts)
A Moment In Time (With Legends of Indian Arts)
By Alka Raghuvanshi
AED241.50
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National Eligibility Tests for Indian Music
National Eligibility Tests for Indian Music
By Dr. S. Bhagyalekshmy.M.A.Ph.D
AED85.40
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Vaishnava Harmonium (Based on the North Indian System of Music): Book 1 and 2 with Two CDs
Vaishnava Harmonium (Based on the North Indian System of Music): Book 1 and 2 with Two CDs
By Ramanujacharya Das
AED159
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The Ragas of Northern Indian Music
The Ragas of Northern Indian Music
By Alain Danielou
AED200
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Indian Music and Swati Tirunal
Indian Music and Swati Tirunal
By Vasanthy Rao
AED82
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Vintage Tabla Repertory (Drum Compositions of North Indian Classical Music)<br>Accompanied with Two Compact Discs
Vintage Tabla Repertory (Drum Compositions of North Indian Classical Music)
Accompanied with Two Compact Discs
By Gert - Matthias Wegner
AED447.30
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Splendours of Indian Dance (Forms - Theory - Practice)
Splendours of Indian Dance (Forms - Theory - Practice)
By V. Raghavan
AED163
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Concise Dictionary of Indian Theatre
Concise Dictionary of Indian Theatre
By M. L. Varadpande
AED278
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Performance Tradition in India
Performance Tradition in India
By Suresh Awasthi
AED100
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The Torchbearers (Keep the Flame of Indian Classical Music Alive)
The Torchbearers (Keep the Flame of Indian Classical Music Alive)
By Harsh Meswani
AED249.75
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Music and Society in Indian History- A Study of Gaya's Musical Heritage (Occasional Paper- VIII)
Music and Society in Indian History- A Study of Gaya's Musical Heritage (Occasional Paper- VIII)
By Tirthankar Roy
AED49
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Glimpses on Indian Musicology
Glimpses on Indian Musicology
By Dr. Lovely Sharma
AED259
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Basic Concepts of Indian Dance (An Old Book)
Basic Concepts of Indian Dance (An Old Book)
By Projesh Banerji
AED122
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Facets of Indian Culture
Facets of Indian Culture
By R. Srinivasan
AED86.45
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Fusion Music to Indian Classical Music
Fusion Music to Indian Classical Music
By Prof. Ina Shastri and Dr. Venus Tarkaswar
AED259
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Documentary Films and Indian Awakening
Documentary Films and Indian Awakening
By Jag Mohan
AED70
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Indian Music and Enchanting Emalagam of Dance (An Old and Rare Book)
Indian Music and Enchanting Emalagam of Dance (An Old and Rare Book)
By Vasanthy Rao
AED130
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Indian Music: Its Origin, History and Characteristics
Indian Music: Its Origin, History and Characteristics
By M. Vijay Laxmi
AED122
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Academic Centres for the Promotion of Indian Music
Academic Centres for the Promotion of Indian Music
By Dr. Lovely Sharma
AED207
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Centres for the Promotion of Indian Music
Centres for the Promotion of Indian Music
By Dr. Lovely Sharma
AED178
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The Harmonium in North Indian Music
The Harmonium in North Indian Music
By Birgit Abels
AED65.10
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Facets of Temple Culture (Perspectives on Religious and Social Traditions in Early Medieval India)
Facets of Temple Culture (Perspectives on Religious and Social Traditions in Early Medieval India)
By K. Mavali Rajan, Remya V.P. & Sarita Khettry
AED211.90
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A Companion to Indian Music and Dance - Spanning a Period of Over Three Thousand Years and Based Mainly on Sanskrit Sources (An Old Book)
A Companion to Indian Music and Dance - Spanning a Period of Over Three Thousand Years and Based Mainly on Sanskrit Sources (An Old Book)
By Sures Chandra Banerji
AED133
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Indian Music (Gateway to Salvation)
Indian Music (Gateway to Salvation)
By Richa Varma
AED56
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Glimpses of Indian Music and Dance for NET, SLET & JRF (Objective Type Questions)
Glimpses of Indian Music and Dance for NET, SLET & JRF (Objective Type Questions)
By Dr. Arun Bangre
AED122
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The Great Integrators (The Saint Singers of India)
The Great Integrators (The Saint Singers of India)
By V. Raghavan
AED96
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Traditions of Indian Folk Dance
Traditions of Indian Folk Dance
By Kapila Vatsyayan
AED396
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Indian Dance - Through a Critic's Eye
Indian Dance - Through a Critic's Eye
By Leela Venkataraman
AED145.60
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India on the Western Screen: Imaging a Country in Film, TV and Digital India
India on the Western Screen: Imaging a Country in Film, TV and Digital India
By Amalendu Mitra
AED67.10
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Kanan Devi (The First Superstar of Indian Cinema)
Kanan Devi (The First Superstar of Indian Cinema)
By Mekhala Sengupta
AED57.20
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From Rajahs and Yogis to Gandhi and Beyond (Images of India In International Films of The Twentieth Century)
From Rajahs and Yogis to Gandhi and Beyond (Images of India In International Films of The Twentieth Century)
By Vijay Mulay
AED127.40
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The Music of India - A Scientific Study
The Music of India - A Scientific Study
By B. Chaitanya Deva
AED145
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Abhinaya Darpana - The Galaxy of Indian Dance and Dramaturgy
Abhinaya Darpana - The Galaxy of Indian Dance and Dramaturgy
By Sayanika Goswami
AED144.90
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History and Evolution of Indian Music
History and Evolution of Indian Music
By Khushboo Kulshreshtha
AED114.10
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Walking with Siva: Cognitive Roots of Indian Art, Archaeology and Religion - With Reference to Tala and Daksina Kosala (Set of 2 Volumes)
Walking with Siva: Cognitive Roots of Indian Art, Archaeology and Religion - With Reference to Tala and Daksina Kosala (Set of 2 Volumes)
By Kalyan Kumar Chakravarty
AED378
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Eminent Indians: Musicians
Eminent Indians: Musicians
By M L Ahuja
AED42
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Vocal - A Guide to Indian Music
Vocal - A Guide to Indian Music
By Km. N. Lalita
AED96
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An Introduction to Indian Music
An Introduction to Indian Music
By B. Chaitanya Deva
AED122
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Behind the Glitz - Exploring an Enigma Called Indian Film Industry
Behind the Glitz - Exploring an Enigma Called Indian Film Industry
By Someswar Bhowmik
AED67
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Krishna Theatre In India
Krishna Theatre In India
By M.L. Varadapande
AED156
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India's Kathak Dance Past, Present, Future
India's Kathak Dance Past, Present, Future
By Reginald Massey
AED133
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Re-scribing Tradition (Modernisation of South Indian Dance Drama)
Re-scribing Tradition (Modernisation of South Indian Dance Drama)
By Guru Rao Bapat
AED178
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Exuberance of Indian Music (Sarod and Sarodists of Maihar Gharana)
Exuberance of Indian Music (Sarod and Sarodists of Maihar Gharana)
By Dr. Akash Deep
AED170
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The Music of India
The Music of India
By Atiya Begum Fyzee Rahamin
AED80.10
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Kathakali: Dance-Theatre (A Visual Narrative of Sacred Indian Mime)
Kathakali: Dance-Theatre (A Visual Narrative of Sacred Indian Mime)
By K. K. Gopalakrishnan
AED243.60
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Facets of Indian Culture
Facets of Indian Culture
By Kalpana Rajaram
AED52.80
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Indian Cinema Through The Century
Indian Cinema Through The Century
By S. Manjula
AED159
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Collected Writings on Indian Music (Set of 3 Volumes)
Collected Writings on Indian Music (Set of 3 Volumes)
By V. Raghavan
AED437
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Narratives of Indian Cinema
Narratives of Indian Cinema
By Manju Jain
AED91
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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  • Flagship Store
    71/2 Kirti Nagar Main Road
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    opp. Metro Pillar 97
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