BOOKS ON NORTH INDIAN MUSIC

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The Music of India
The Music of India
By Atiya Begum Fyzee Rahamin
CA$25
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The Music of India
The Music of India
By H. A. Popley
CA$31
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Mother India
Mother India
By Gayatri Chatterjee
CA$23
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Nehru's Hero: Dilip Kumar in the Life of India
Nehru's Hero: Dilip Kumar in the Life of India
By Lord Meghnad Desai
CA$47
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Musical Instruments of India: History and Development
Musical Instruments of India: History and Development
By Ram Avtaar 'Vir'
CA$42
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Making Meaning in Indian Cinema
Making Meaning in Indian Cinema
By Edited By: Ravi S. Vasudevan
CA$39
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The Secret Politics Of Our Desire (Innocence, Culpability and Indian Popular Cinema)
The Secret Politics Of Our Desire (Innocence, Culpability and Indian Popular Cinema)
By Edited By Ashis Nandy
CA$47
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Karnataka Music As Aesthetic Form (History of Science, Philosophy and Culture in Indian Civilization)
Karnataka Music As Aesthetic Form (History of Science, Philosophy and Culture in Indian Civilization)
By R. Sathyanarayana
CA$41
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Poetics, Plays, and Performances: The Politics of Modern Indian Theatre
Poetics, Plays, and Performances: The Politics of Modern Indian Theatre
By Vasudha Dalmia
CA$67
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MUSIC OF THE SOUTH ASIAN PEOPLES: A Historical Study of Music of India, Kashmere, Ceylon and Bangaladesh and Pakistan (Volume One)
MUSIC OF THE SOUTH ASIAN PEOPLES: A Historical Study of Music of India, Kashmere, Ceylon and Bangaladesh and Pakistan (Volume One)
By Paramahamsa Prajnanananda
CA$45
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Becoming a Global Audience (Longing and Belonging in Indian Music Television)
Becoming a Global Audience (Longing and Belonging in Indian Music Television)
By Vamsee Juluri
CA$53
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Incredible India: Classical Dances
Incredible India: Classical Dances
By Sonal Mansingh and Photographs by Avinash Pasricha
CA$66
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Fingerprinting Popular Culture: The Mythic and the Iconic in Indian Cinema
Fingerprinting Popular Culture: The Mythic and the Iconic in Indian Cinema
By Vinay Lal, Ashis Nandy
CA$39
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Odissi An Indian Classical Dance Form
Odissi An Indian Classical Dance Form
By Priyambada Mohanty Hejmadi & Ahalya Hejmadi Patnaik
CA$86
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The Moving Image (A Study Of Indian Cinema)
The Moving Image (A Study Of Indian Cinema)
By Kishore Valicha
CA$35
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CA$50 30% off
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101 Great Indian Bollywood Personalities
101 Great Indian Bollywood Personalities
By Shyam Dua
CA$48
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Indian Cinema in the Time of Celluloid: From Bollywood to the Emergency
Indian Cinema in the Time of Celluloid: From Bollywood to the Emergency
By Ashish Rajadhyaksha
CA$105
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The Essential Mystery: Major Filmmakers of Indian Art Cinema
The Essential Mystery: Major Filmmakers of Indian Art Cinema
By JOHN W HOOD
CA$51
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CITY FLICKS: Indian Cinema and the Urban Experience
CITY FLICKS: Indian Cinema and the Urban Experience
By Edited By: Preben Kaarsholm
CA$54
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Music In Traditional Indian Theatre
Music In Traditional Indian Theatre
By Dr. Rani Balbir Kaur
CA$73
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The Sangitopanisat-Saroddharah (A Fourteenth-Century Text on Music from Western India)
The Sangitopanisat-Saroddharah (A Fourteenth-Century Text on Music from Western India)
By Allyn Miner
CA$63
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The 9 Emotions of Indian Cinema Hoardings
The 9 Emotions of Indian Cinema Hoardings
By V. Geetha, Sirish Rao& M.P. Dhakshma
CA$91
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Cinema and Censorship: The Politics of Control in India
Cinema and Censorship: The Politics of Control in India
By Someswar Bhowmik
CA$66
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Kutiyattam – The Heritage Theatre of India
Kutiyattam – The Heritage Theatre of India
By Sudha Gopalakrishnan
CA$101.50
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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Locate Us
  • Exotic India Art Pvt Ltd
    A16/1 WAZIRPUR INDUSTRIAL AREA
    Delhi 110052
    Delhi
    India
    Tel:+91-8031404444
In the USA
  • Tel: +1 347 468 7193
Our Stores
  • Flagship Store
    71/2 Kirti Nagar Main Road
    WHS Block 2
    Delhi 110015, India
    Tel: +91 95991 00764
  • Home Decor
    Khasra No. 432
    Mehrauli-Gurgaon Rd
    opp. Metro Pillar 97
    Gadaipur, DLF Farms
    New Delhi 110030, India
    Tel: +91 92178 44842
  • Jewelry & Apparel
    5D, 1, Dada Jungi Ln
    Shahpur Jat, Siri Fort
    New Delhi 110049, India
    Tel: +91 92178 43827
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