BOOKS ON NORTH INDIAN MUSIC

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Improvisation in Hindustani Classical Music: Key to the Phenomenon of Development and Beautification of the Raaga
Improvisation in Hindustani Classical Music: Key to the Phenomenon of Development and Beautification of the Raaga
By Basavi Mukerji
₽3109
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Theory of Indian Music: Sangita Sastra Sangraha- Part II (With Notation, Only 1 copy in stock)
Theory of Indian Music: Sangita Sastra Sangraha- Part II (With Notation, Only 1 copy in stock)
By Dr. M.B. Vedavalli
₽3541
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The Classical Music of North India (The Music of the Baba Allauddin Gharana as taught by Ali Akbar Khan at the Ali Akbar College of Music): Volume One The First Years Study
The Classical Music of North India (The Music of the Baba Allauddin Gharana as taught by Ali Akbar Khan at the Ali Akbar College of Music): Volume One The First Years Study
By Ali Akbar Khan , Notations and Explanatory text by George Ruckert
₽4275
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The Innovative & Prevalent Ragas and Talas- In North Indian Classical Music (With Notations)
The Innovative & Prevalent Ragas and Talas- In North Indian Classical Music (With Notations)
By Prem Kishor Mishra
₽3195
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Therapeutic Magic of Kathak: Based on the Research Study 'Scope of Kathak Dance As a Healing Therapy (with Special Focus on Acupressure)’
Therapeutic Magic of Kathak: Based on the Research Study 'Scope of Kathak Dance As a Healing Therapy (with Special Focus on Acupressure)’
By Ruchi Khare
₽2764
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Indian Classical Music (An Audio Visual Guide)
Indian Classical Music (An Audio Visual Guide)
By Pt. Ravi Shankar Prasanna
₽2971.20
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Music Systems in India (A Comparative Study of Some of The Leading Music Systems of The 15th, 16th, 17th, and 18th Centuries) An Old and Rare Book
Music Systems in India (A Comparative Study of Some of The Leading Music Systems of The 15th, 16th, 17th, and 18th Centuries) An Old and Rare Book
By V. N. Bhatkhande
₽1986
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A History of Indian Music (Set of 2 Volumes)
A History of Indian Music (Set of 2 Volumes)
By Paramahamsa Prajnanananda
₽2936
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Theory Of Indian Music (The First Book Containing The Sentiments, Their Effects On Shrutis, Notes And Ragas In Ornamental Shape Along With Formation And Manner Of Display)
Theory Of Indian Music (The First Book Containing The Sentiments, Their Effects On Shrutis, Notes And Ragas In Ornamental Shape Along With Formation And Manner Of Display)
By RAM AVTAR 'VIR
₽2677
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Swaraanginee - Composition in Moring, Afternoon and Evening Raags of North Indian Classical Music with Notation (With CD Inside)
Swaraanginee - Composition in Moring, Afternoon and Evening Raags of North Indian Classical Music with Notation (With CD Inside)
By Dr. Prabha Atre
₽5320
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The Sangitopanisat-Saroddharah (A Fourteenth-Century Text on Music from Western India)
The Sangitopanisat-Saroddharah (A Fourteenth-Century Text on Music from Western India)
By Allyn Miner
₽3714
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Nrttaratnavali of Jaya Senapati- Critically Edited With English Introduction and Notes by Kavi Kokila, Sakala Kala Kalapa, Vidvat Kavindra, Vidya Vacaspati, Padmabhushan
Nrttaratnavali of Jaya Senapati- Critically Edited With English Introduction and Notes by Kavi Kokila, Sakala Kala Kalapa, Vidvat Kavindra, Vidya Vacaspati, Padmabhushan
By V. Raghavan
₽3541
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Dadasaheb Phalke (The Father of Indian Cinema)
Dadasaheb Phalke (The Father of Indian Cinema)
By Bapu Watve & translated by S. A. Virkar
₽2332
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Indian Music
Indian Music
By Swami Rama
₽2418
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Performing Self, Performing Gender (Reading the Lives of Women Performers in Colonial India)
Performing Self, Performing Gender (Reading the Lives of Women Performers in Colonial India)
By Sheetala Bhat
₽1852.50
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The Story of Indian Music and its Instruments (A Study of the Present and a Record of the Past)
The Story of Indian Music and its Instruments (A Study of the Present and a Record of the Past)
By Ethel Rosenthal
₽1814
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The Grammar of South Indian Music (Karnatic Music)
The Grammar of South Indian Music (Karnatic Music)
By C. Subrahmanya Ayyar
₽2332
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Traditional Indian Theatre: Multiple Streams
Traditional Indian Theatre: Multiple Streams
By Kapila Vatsyayan
₽2936
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Music and Modernity - North Indian Classical Music in an Age of Mechanical Reproduction
Music and Modernity - North Indian Classical Music in an Age of Mechanical Reproduction
By Amlan Das Gupta
₽2850
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THE JOY OF CLASSICAL DANCES OF INDIA
THE JOY OF CLASSICAL DANCES OF INDIA
By Leela Samson, Illustrated By Jagdish Joshi
₽2159
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Pitch Analysis in South Indian Music (With a Critical Examination of The Theory of 22 Sruti-s)
Pitch Analysis in South Indian Music (With a Critical Examination of The Theory of 22 Sruti-s)
By Madhu Mohan Komaragiri
₽3800
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Sangita Sastra Sangraha (A Guide to Theory of Indian Music)
Sangita Sastra Sangraha (A Guide to Theory of Indian Music)
By Dr. M.B. Vedavalli
₽2245
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Legends of Indian Silver Screen: The Winners of Dadasaheb Phalke Award (1992-2014)
Legends of Indian Silver Screen: The Winners of Dadasaheb Phalke Award (1992-2014)
Publisher Publications Division, Government of India
₽1709.95
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A Moment In Time (With Legends of Indian Arts)
A Moment In Time (With Legends of Indian Arts)
By Alka Raghuvanshi
₽5622.40
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National Eligibility Tests for Indian Music
National Eligibility Tests for Indian Music
By Dr. S. Bhagyalekshmy.M.A.Ph.D
₽1995
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Vaishnava Harmonium (Based on the North Indian System of Music): Book 1 and 2 with Two CDs
Vaishnava Harmonium (Based on the North Indian System of Music): Book 1 and 2 with Two CDs
By Ramanujacharya Das
₽3714
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The Ragas of Northern Indian Music
The Ragas of Northern Indian Music
By Alain Danielou
₽4664
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Vintage Tabla Repertory (Drum Compositions of North Indian Classical Music)<br>Accompanied with Two Compact Discs
Vintage Tabla Repertory (Drum Compositions of North Indian Classical Music)
Accompanied with Two Compact Discs
By Gert - Matthias Wegner
₽10,415.70
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Indian Music and Swati Tirunal
Indian Music and Swati Tirunal
By Vasanthy Rao
₽1900
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Splendours of Indian Dance (Forms - Theory - Practice)
Splendours of Indian Dance (Forms - Theory - Practice)
By V. Raghavan
₽3800
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Performance Tradition in India
Performance Tradition in India
By Suresh Awasthi
₽2332
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The Torchbearers (Keep the Flame of Indian Classical Music Alive)
The Torchbearers (Keep the Flame of Indian Classical Music Alive)
By Harsh Meswani
₽5829.75
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Swami Vivekananda's Contributions to Indian Classical Music
Swami Vivekananda's Contributions to Indian Classical Music
By Dattatreya Velankar
₽1555
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Music and Society in Indian History- A Study of Gaya's Musical Heritage (Occasional Paper- VIII)
Music and Society in Indian History- A Study of Gaya's Musical Heritage (Occasional Paper- VIII)
By Tirthankar Roy
₽1148.70
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Glimpses on Indian Musicology
Glimpses on Indian Musicology
By Dr. Lovely Sharma
₽6045
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Basic Concepts of Indian Dance (An Old Book)
Basic Concepts of Indian Dance (An Old Book)
By Projesh Banerji
₽2850
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Facets of Indian Culture
Facets of Indian Culture
By R. Srinivasan
₽2020.85
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Fusion Music to Indian Classical Music
Fusion Music to Indian Classical Music
By Prof. Ina Shastri and Dr. Venus Tarkaswar
₽6045
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Documentary Films and Indian Awakening
Documentary Films and Indian Awakening
By Jag Mohan
₽1641
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Indian Music and Enchanting Emalagam of Dance (An Old and Rare Book)
Indian Music and Enchanting Emalagam of Dance (An Old and Rare Book)
By Vasanthy Rao
₽3023
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Indian Music: Its Origin, History and Characteristics
Indian Music: Its Origin, History and Characteristics
By M. Vijay Laxmi
₽2850
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Academic Centres for the Promotion of Indian Music
Academic Centres for the Promotion of Indian Music
By Dr. Lovely Sharma
₽4836
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Centres for the Promotion of Indian Music
Centres for the Promotion of Indian Music
By Dr. Lovely Sharma
₽4145
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The Harmonium in North Indian Music
The Harmonium in North Indian Music
By Birgit Abels
₽1511.30
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Facets of Temple Culture (Perspectives on Religious and Social Traditions in Early Medieval India)
Facets of Temple Culture (Perspectives on Religious and Social Traditions in Early Medieval India)
By K. Mavali Rajan, Remya V.P. & Sarita Khettry
₽4940
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Indian Music (Gateway to Salvation)
Indian Music (Gateway to Salvation)
By Richa Varma
₽1295
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Glimpses of Indian Music and Dance for NET, SLET & JRF (Objective Type Questions)
Glimpses of Indian Music and Dance for NET, SLET & JRF (Objective Type Questions)
By Dr. Arun Bangre
₽2850
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The Great Integrators (The Saint Singers of India)
The Great Integrators (The Saint Singers of India)
By V. Raghavan
₽2245
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Traditions of Indian Folk Dance
Traditions of Indian Folk Dance
By Kapila Vatsyayan
₽9241
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Indian Dance - Through a Critic's Eye
Indian Dance - Through a Critic's Eye
By Leela Venkataraman
₽3385.60
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India on the Western Screen: Imaging a Country in Film, TV and Digital India
India on the Western Screen: Imaging a Country in Film, TV and Digital India
By Amalendu Mitra
₽1567.50
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Kanan Devi (The First Superstar of Indian Cinema)
Kanan Devi (The First Superstar of Indian Cinema)
By Mekhala Sengupta
₽1329.90
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From Rajahs and Yogis to Gandhi and Beyond (Images of India In International Films of The Twentieth Century)
From Rajahs and Yogis to Gandhi and Beyond (Images of India In International Films of The Twentieth Century)
By Vijay Mulay
₽2962.40
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The Music of India - A Scientific Study
The Music of India - A Scientific Study
By B. Chaitanya Deva
₽3368
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Abhinaya Darpana - The Galaxy of Indian Dance and Dramaturgy
Abhinaya Darpana - The Galaxy of Indian Dance and Dramaturgy
By Sayanika Goswami
₽3385.20
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History and Evolution of Indian Music
History and Evolution of Indian Music
By Khushboo Kulshreshtha
₽2660
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Walking with Siva: Cognitive Roots of Indian Art, Archaeology and Religion - With Reference to Tala and Daksina Kosala (Set of 2 Volumes)
Walking with Siva: Cognitive Roots of Indian Art, Archaeology and Religion - With Reference to Tala and Daksina Kosala (Set of 2 Volumes)
By Kalyan Kumar Chakravarty
₽8809
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Eminent Indians: Musicians
Eminent Indians: Musicians
By M L Ahuja
₽971.25
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Vocal - A Guide to Indian Music
Vocal - A Guide to Indian Music
By Km. N. Lalita
₽2245
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An Introduction to Indian Music
An Introduction to Indian Music
By B. Chaitanya Deva
₽2850
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Behind the Glitz - Exploring an Enigma Called Indian Film Industry
Behind the Glitz - Exploring an Enigma Called Indian Film Industry
By Someswar Bhowmik
₽1555
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Krishna Theatre In India
Krishna Theatre In India
By M.L. Varadapande
₽3627
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India's Kathak Dance Past, Present, Future
India's Kathak Dance Past, Present, Future
By Reginald Massey
₽3109
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Re-scribing Tradition (Modernisation of South Indian Dance Drama)
Re-scribing Tradition (Modernisation of South Indian Dance Drama)
By Guru Rao Bapat
₽4145
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Exuberance of Indian Music (Sarod and Sarodists of Maihar Gharana)
Exuberance of Indian Music (Sarod and Sarodists of Maihar Gharana)
By Dr. Akash Deep
₽3973
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The Music of India
The Music of India
By Atiya Begum Fyzee Rahamin
₽1865.70
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Kathakali: Dance-Theatre (A Visual Narrative of Sacred Indian Mime)
Kathakali: Dance-Theatre (A Visual Narrative of Sacred Indian Mime)
By K. K. Gopalakrishnan
₽5682.60
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Facets of Indian Culture
Facets of Indian Culture
By Kalpana Rajaram
₽1234.75
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Indian Cinema Through The Century
Indian Cinema Through The Century
By S. Manjula
₽3714
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Collected Writings on Indian Music (Set of 3 Volumes)
Collected Writings on Indian Music (Set of 3 Volumes)
By V. Raghavan
₽10,191
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Narratives of Indian Cinema
Narratives of Indian Cinema
By Manju Jain
₽2116.10
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Animating an Indian Story
Animating an Indian Story
By Ramanlal Mistry
₽2245
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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