BOOKS ON MUSIC NOTATIONS

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Compositions of Tyagaraja (In National and International Scripts: Devanagari & Roman with Meaning and S R G M Notation in English)
Compositions of Tyagaraja (In National and International Scripts: Devanagari & Roman with Meaning and S R G M Notation in English)
By T. K. Govinda Rao
RM330
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Sangita Sampradaya Pradarsini of Brahmasri Subbarama Diksitulu (Set of 5 Volumes)
Sangita Sampradaya Pradarsini of Brahmasri Subbarama Diksitulu (Set of 5 Volumes)
By Subbarama Dikshitulu
RM710
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Ganamrutha Varna Malika (With Notation)
Ganamrutha Varna Malika (With Notation)
By A. S. Panchapakesa Iyer
RM149
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Theory of Indian Music: Sangita Sastra Sangraha- Part II (With Notation, Only 1 copy in stock)
Theory of Indian Music: Sangita Sastra Sangraha- Part II (With Notation, Only 1 copy in stock)
By Dr. M.B. Vedavalli
RM169
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Notations of 121 Bhajans and Prayers (Easy To Understand Notations In Actual English)
Notations of 121 Bhajans and Prayers (Easy To Understand Notations In Actual English)
By Krishna Kumar Agrwal
RM136
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முருகரத்னாகரம்- Murugarathnaakaram: Compositions of Sri T.N. Bala (Text, Transliteration, Translation and Notation: Volume- 1)
முருகரத்னாகரம்- Murugarathnaakaram: Compositions of Sri T.N. Bala (Text, Transliteration, Translation and Notation: Volume- 1)
By T. N. Bala
RM103
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Ganamrutha Keerthanamalika- With Notation (Set of 10 Volumes)
Ganamrutha Keerthanamalika- With Notation (Set of 10 Volumes)
By A. S. Panchapakesa Iyer
RM458
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Melaragamalika of Maha Vaidyanatha Sivan- Tamiz, Commentary 'Sivapriya' by V.S.V Guruswamy Sastrigal
Melaragamalika of Maha Vaidyanatha Sivan- Tamiz, Commentary 'Sivapriya' by V.S.V Guruswamy Sastrigal
By V.S.V Guruswamy Sastrigal
RM153
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Pallavi with Notations
Pallavi with Notations
By Bhubaneswar Mishra
RM103
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श्रुतिपद सरिता: Srutipada Sarita-Musical Notations of Traditional and Self-Made Dhrupad Compositions
श्रुतिपद सरिता: Srutipada Sarita-Musical Notations of Traditional and Self-Made Dhrupad Compositions
By Ritwik Sanyal
RM153
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Carnatic Music Reader in Western Staff Notation (A Primer For Learning Guitar, Piano, Saxophone, Violin)
Carnatic Music Reader in Western Staff Notation (A Primer For Learning Guitar, Piano, Saxophone, Violin)
By V. K. Krishna Prasad
RM101.50
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Veena: The Instrument Par-Excellence (With Notation)
Veena: The Instrument Par-Excellence (With Notation)
By Vainika Vidwan and C.K. Shankara Narayana Rao
RM149
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Veena, Self -Taught - An Introduction to Carnatic Music (With Notation)
Veena, Self -Taught - An Introduction to Carnatic Music (With Notation)
By S.V. Leela
RM58
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Kramik Pustak Malika: Hindustani Sangeet Paddhati With Notation (Part 1)
Kramik Pustak Malika: Hindustani Sangeet Paddhati With Notation (Part 1)
By Pt. Vishnu Narayan Bhatkhande
RM107
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Bhajan Western Notes (Set of 2 Volumes)
Bhajan Western Notes (Set of 2 Volumes)
By Vinod Kumar
RM173
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Carnatic Music Reader In Western Staff Notation (Tutor For Guitar, Piano, Keyboard, Saxophone Violin) (Three Part Kriti Series Kritis 1) (Part 5)
Carnatic Music Reader In Western Staff Notation (Tutor For Guitar, Piano, Keyboard, Saxophone Violin) (Three Part Kriti Series Kritis 1) (Part 5)
By V.K. Krishna Prasad
RM81.20
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Swaraanginee - Composition in Moring, Afternoon and Evening Raags of North Indian Classical Music with Notation (With CD Inside)
Swaraanginee - Composition in Moring, Afternoon and Evening Raags of North Indian Classical Music with Notation (With CD Inside)
By Dr. Prabha Atre
RM254.40
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Tabla-A Quest (A Theoretical & Practical Guide) With Notations (Part-1)
Tabla-A Quest (A Theoretical & Practical Guide) With Notations (Part-1)
By Ustad Julfikar Hussain, Debasish Talukdar
RM128
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Carnatic Music Reader In Western Staff Notation (Tutor For Guitar, Piano, Keyboard, Saxophone Violin) (Three Part Kriti Series Kritis 2) (Part 6)
Carnatic Music Reader In Western Staff Notation (Tutor For Guitar, Piano, Keyboard, Saxophone Violin) (Three Part Kriti Series Kritis 2) (Part 6)
By V.K. Krishna Prasad
RM81.20
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Doyen of Delhi Gharana Ustad Chand Khan- Centenary Volume 1999
Doyen of Delhi Gharana Ustad Chand Khan- Centenary Volume 1999
By Krishna Bisht and V. K. Rangra
RM145
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Carnatic Music Reader In Western Staff Notation (A Primer For Guitar, Piano, Keyborad, Saxophone, Violin) (Set of 7 Volumes)
Carnatic Music Reader In Western Staff Notation (A Primer For Guitar, Piano, Keyborad, Saxophone, Violin) (Set of 7 Volumes)
By V. K. Krishna Prasad
RM454
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Rag Malika With Notation
Rag Malika With Notation
By Shruti Jauhari and Nancy Needhima
RM244
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Kriti Sagaram- Edited With Text and Notation (Part- I)
Kriti Sagaram- Edited With Text and Notation (Part- I)
By S. Bhagyalekshmi
RM95
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Sree Kamalamba Navavaranam (With Notation)
Sree Kamalamba Navavaranam (With Notation)
By A. S. Panchapakesa Iyer
RM74
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Ganamrutha Keerthanamalika- With Notaion (Vol-I)
Ganamrutha Keerthanamalika- With Notaion (Vol-I)
By A. S. Panchapakesa Iyer
RM120
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Carnatic Music Reader In Western Staff Notation (Tutor For Guitar, Piano, Keyboard, Saxophone Violin) (Three Part Kriti Series Kritis 3) (Part 7)
Carnatic Music Reader In Western Staff Notation (Tutor For Guitar, Piano, Keyboard, Saxophone Violin) (Three Part Kriti Series Kritis 3) (Part 7)
By V.K. Krishna Prasad
RM116
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Krtimanimalai - English Adaptation (Set of 2 Volumes)
Krtimanimalai - English Adaptation (Set of 2 Volumes)
By Padma Varadan
RM735
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Pancharatna Kritis of Saint Tyagaraja - Songs, Notation and Meaning
Pancharatna Kritis of Saint Tyagaraja - Songs, Notation and Meaning
By Sri Ramadasan
RM54
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Muthuswamy Dikshitar Compositions (Edited With Text and Notation of Select Compostions)
Muthuswamy Dikshitar Compositions (Edited With Text and Notation of Select Compostions)
By Dr. S. Bhagyalekshmy & Dr. M. N. Moorthy
RM116
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Krtima Nimalai - Sri Muddusvami Diksitars Compositions (With Notation)
Krtima Nimalai - Sri Muddusvami Diksitars Compositions (With Notation)
By Padma Varadan
RM297
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Bhajan Swarlipi (Set of 2 Volumes)
Bhajan Swarlipi (Set of 2 Volumes)
By Vinod Kumar
RM173
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Sangeeta Bala Padam with Notation (Set of Two Volumes)
Sangeeta Bala Padam with Notation (Set of Two Volumes)
Publisher GIRI TRADING AGENCY PVT LTD,CHENNAI
RM145
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Sitar Technique in Nibaddh Forms (With Notations)
Sitar Technique in Nibaddh Forms (With Notations)
By Stephen Slawek
RM121.10
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Evolution of Hindustani Slide Guitar
Evolution of Hindustani Slide Guitar
By Anil Rai and Joyanta Sarkar
RM98
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Saint Tyagaraja Krithis- Compositions in Western Staff Notation For Piano Keyboard Guitar Violin Saxophone (Part- II)
Saint Tyagaraja Krithis- Compositions in Western Staff Notation For Piano Keyboard Guitar Violin Saxophone (Part- II)
By V. K. Krishna Prasad
RM95
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Saint Tyagaraja Krithis- Compositions in Western Staff Notation For Piano Keyboard Guitar Violin Saxophone (Part- I)
Saint Tyagaraja Krithis- Compositions in Western Staff Notation For Piano Keyboard Guitar Violin Saxophone (Part- I)
By V. K. Krishna Prasad
RM95
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Purandaradasar Krithis- Compositions in Western Staff Notation For Piano Keyboard Guitar Violin Saxophone
Purandaradasar Krithis- Compositions in Western Staff Notation For Piano Keyboard Guitar Violin Saxophone
By V. K. Krishna Prasad
RM95
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Muthuswamy Dikshitar Krithis- Compositions in Western Staff Notation For Piano Keyboard Guitar Violin Saxophone (Part- I)
Muthuswamy Dikshitar Krithis- Compositions in Western Staff Notation For Piano Keyboard Guitar Violin Saxophone (Part- I)
By V. K. Krishna Prasad
RM66.50
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Muthuswamy Dikshitar Krithis- Compositions in Western Staff Notation For Piano Keyboard Guitar Violin Saxophone (Part- II)
Muthuswamy Dikshitar Krithis- Compositions in Western Staff Notation For Piano Keyboard Guitar Violin Saxophone (Part- II)
By V. K. Krishna Prasad
RM66.50
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Sree Patnam Subramanya Iyer (With Notation)
Sree Patnam Subramanya Iyer (With Notation)
By A. S. Panchapakesa Iyer
RM74
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Navagraha Ganamrutham (With Notation)
Navagraha Ganamrutham (With Notation)
By A. S. Panchapakesa Iyer
RM74
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Guru Guha Ganamrutham
Guru Guha Ganamrutham
By A. S. Panchapakesa Iyer
RM87
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Ganamrutha Keerthanamalika- With Notaion (Vol-VIII)
Ganamrutha Keerthanamalika- With Notaion (Vol-VIII)
By A. S. Panchapakesa Iyer
RM120
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Ganamrutha Keerthanamalika- With Notaion (Vol-II)
Ganamrutha Keerthanamalika- With Notaion (Vol-II)
By A. S. Panchapakesa Iyer
RM78
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Ganamrutha Keerthanamalika- With Notaion (Vol-IV)
Ganamrutha Keerthanamalika- With Notaion (Vol-IV)
By A. S. Panchapakesa Iyer
RM84
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Ganamrutha Keerthanamalika- With Notaion (Vol-V)
Ganamrutha Keerthanamalika- With Notaion (Vol-V)
By A. S. Panchapakesa Iyer
RM84
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Ganamrutha Keerthanamalika- With Notaion (Vol-VI)
Ganamrutha Keerthanamalika- With Notaion (Vol-VI)
By A. S. Panchapakesa Iyer
RM120
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Ganamrutha Keerthanamalika- With Notaion (Vol-VII)
Ganamrutha Keerthanamalika- With Notaion (Vol-VII)
By A. S. Panchapakesa Iyer
RM84
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Ganamrutha Keerthanamalika- With Notaion (Vol-IX)
Ganamrutha Keerthanamalika- With Notaion (Vol-IX)
By A. S. Panchapakesa Iyer
RM84
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Ganamrutha Keerthanamalika- With Notaion (Vol-X)
Ganamrutha Keerthanamalika- With Notaion (Vol-X)
By A. S. Panchapakesa Iyer
RM84
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Carnatic Music Reader In Western Staff Notation (Tutor For Guitar, Piano, Keyboard, Saxophone Violin) (Three Part Varnam Series Adi Tala Varnam ? 1) (Part 2)
Carnatic Music Reader In Western Staff Notation (Tutor For Guitar, Piano, Keyboard, Saxophone Violin) (Three Part Varnam Series Adi Tala Varnam ? 1) (Part 2)
By V.K. Krishna Prasad
RM81.20
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Carnatic Music Reader In Western Staff Notation (Tutor For Guitar, Piano, Keyboard, Saxophone Violin) ( Part Three Varnam Series Adi Tala Varnam ? 2)
Carnatic Music Reader In Western Staff Notation (Tutor For Guitar, Piano, Keyboard, Saxophone Violin) ( Part Three Varnam Series Adi Tala Varnam ? 2)
By V.K. Krishna Prasad
RM75.40
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Pancharatna Kritis: Meanings and Significance (With Notation)
Pancharatna Kritis: Meanings and Significance (With Notation)
By G. Dwarakanath
RM74
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Carnatic Music Reader In Western Staff Notation (Tutor For Guitar, Piano, Keyboard, Saxophone Violin) (Three Part Varnam Series Ata Tala Varnam) (Part 4)
Carnatic Music Reader In Western Staff Notation (Tutor For Guitar, Piano, Keyboard, Saxophone Violin) (Three Part Varnam Series Ata Tala Varnam) (Part 4)
By V.K. Krishna Prasad
RM81.20
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Navagraha Nava Aavarana Kritis of Sri Mutthu Swamy Deekshitar (With GIST and Notations for all the Kritis)
Navagraha Nava Aavarana Kritis of Sri Mutthu Swamy Deekshitar (With GIST and Notations for all the Kritis)
By Prof. Dr. Nookala Chinna Satyanarayana
RM145
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The Language of Kathakali: Notations of 874 Hand Gestures - A Rare Book
The Language of Kathakali: Notations of 874 Hand Gestures - A Rare Book
By G. Venu
RM215
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Learn How to Play Flute
Learn How to Play Flute
By Bharti Agarwal
RM87
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Sikh Musicology: Sri Guru Granth Sahib and Hymns of The Human Spirit (With Notation)
Sikh Musicology: Sri Guru Granth Sahib and Hymns of The Human Spirit (With Notation)
By Gurnam Singh
RM182
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Karnatic Music Reader (Kritis of Various Composers With Notation) (Part 3)
Karnatic Music Reader (Kritis of Various Composers With Notation) (Part 3)
By Dr. S. Bhagyalekshmy
RM116
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Rare Music and Dance Composition of King Sahaji of Thanjavur (With Notation, Text and Meanings)
Rare Music and Dance Composition of King Sahaji of Thanjavur (With Notation, Text and Meanings)
By Smt. Madhavi Rajagopalan
RM95
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Acoustics for Music Students (With Notation)
Acoustics for Music Students (With Notation)
By C. Subrahmanya Ayyar
RM58
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Facets of Tabla Playing (With Notation)
Facets of Tabla Playing (With Notation)
By Pandit Ashis Sengupta
RM145
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Tamizh Padam-s (Notation, Tamizh - English Text, Meaning in English)
Tamizh Padam-s (Notation, Tamizh - English Text, Meaning in English)
By Smt. Madhavi Rajagopalan
RM107
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Songs of Youth (With Notations)
Songs of Youth (With Notations)
By Shri Pranab Kumar Bhattacharya
RM77
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Sahaanaa's - Cine Melodies: Karnatic and Western, Book - 6 (Hits of A. R. Rahman with Notation)
Sahaanaa's - Cine Melodies: Karnatic and Western, Book - 6 (Hits of A. R. Rahman with Notation)
By M. A. Jaikumar
RM107
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Sahaanaa's - Cine Melodies: Karnatic and Western, Book - 3 (With Notation)
Sahaanaa's - Cine Melodies: Karnatic and Western, Book - 3 (With Notation)
By M. A. Jaikumar
RM107
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Sahaanaa's - Cine Melodies: Karnatic and Western, Book - 2 (With Notation)
Sahaanaa's - Cine Melodies: Karnatic and Western, Book - 2 (With Notation)
By M. A. Jaikumar
RM107
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Karnatic Music Reader (Part 4) (Containing Concert, Compositions In Notation)
Karnatic Music Reader (Part 4) (Containing Concert, Compositions In Notation)
By Dr. S. Bhagyalekshmy
RM107
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Prathamabhyasa Pustakamu of Brahmasri Subbarama Diksitulu
Prathamabhyasa Pustakamu of Brahmasri Subbarama Diksitulu
By Subbarama Dikshitulu
RM153
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Pancharatna Kritis of Tyagaraja (Set of 5 Books)
Pancharatna Kritis of Tyagaraja (Set of 5 Books)
By Various Authors
RM260
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Vasudeva Kirthana Manjari (Compositions of Mysore K. Vasudevacharya with Notations in English and Lyrics in Sanskrit Also)
Vasudeva Kirthana Manjari (Compositions of Mysore K. Vasudevacharya with Notations in English and Lyrics in Sanskrit Also)
By S. Krishnamurthi
RM231
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The Seven Principal Musical Notes of the Hindus- With Their Presiding Dieties, Composed in Celebration of the Birth-Day (With Notations)
The Seven Principal Musical Notes of the Hindus- With Their Presiding Dieties, Composed in Celebration of the Birth-Day (With Notations)
By Sourindro Mohun Tagore
RM70
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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  • Exotic India Art Pvt Ltd
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    India
    Tel:+91-8031404444
In the USA
  • Tel: +1 347 468 7193
Our Stores
  • Flagship Store
    71/2 Kirti Nagar Main Road
    WHS Block 2
    Delhi 110015, India
    Tel: +91 95991 00764
  • Home Decor
    Khasra No. 432
    Mehrauli-Gurgaon Rd
    opp. Metro Pillar 97
    Gadaipur, DLF Farms
    New Delhi 110030, India
    Tel: +91 92178 44842
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