ORIGINAL TEXTS BOOKS ON PERFORMING ARTS

Abhinaya Darpanam (Sanskrit Text with English Translation)
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Kuchipudi Dance in Textual Form
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The Sanskrit Theatre and Stagecraft (An Old and Rare Book)
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Sanskrit Drama (Its Aesthetics and Production) (A Rare Book)
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The Sangitopanisat-Saroddharah (A Fourteenth-Century Text on Music from Western India)
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Tibetan Religious Dances (Tibetan Text and Annotated Translation of the Chams Yig)
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Purnapurusartha Candrodayam (Sanskrit Allegorical Drama)
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Indian Music: Its Origin, History and Characteristics
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Concept of Dance in Classical Sanskrit Literature
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Classical Sanskrit Prosody
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Rare Music and Dance Composition of King Sahaji of Thanjavur (With Notation, Text and Meanings)
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The Laws and Practice of Sanskrit Drama (An Old and Rare Book)
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Theatric Aspects of Sanskrit Drama (Rare Book)
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The Origin Of Raga
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The Ramayana Culture: Text, Performance and Iconography
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THE TRADITIONAL SANSKRIT THEATRE OF KERALA (Calicut University 

Sanskrit Series No. 3)
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Types of Dramatic Representations in Sanskrit
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The Importance of Tone, Tune, and Text in Indian Music
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A Confluence of Indian Dance Drama and Text
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Text Book of Dance
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A Peep into Yaksagana and Sanskrit Dramaturgy
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Sanskrit Play Production In Ancient India (An Old and Rare Book)
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Yaksagana and it's Sanskrit Sources (An Old and Rare Book)
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Kridaniyakam (Myriad Aspects of Comedy in Sanskrit Drama)
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Sanskrit Drama in Performance
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METATHEATER AND SANSKRIT DRAMA
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Ritual as Ideology (Text and Context In Teyyam)
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Lage Raho Munna Bhai (The Original Screenplay)
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3 Idiots (The Original Screenplay)
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नाट्यत्रयी : Three Sanskrit Plays
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Welcome the Oldest Language of the Indian Subcontinent, Sanskrit, with Open Arms and Seep into its Original Texts

Sanskrit writing extensively includes texts made in the earliest verified relative of the Proto-Indo-Aryan language known as Vedic Sanskrit and later on in the language officially characterized by Pāṇini called Classical Sanskrit. Writing in the more established language starts with the coming of the Ṛg·veda, trailed by different works straight up to the hour of Pāṇini.


Vedic Sanskrit is the language of the broad ritualistic works of the Vedic religion, while Classical Sanskrit is the language of large numbers of the noticeable texts related to the significant Indian religions, particularly Hinduism, and additionally Buddhism, and Jainism. While the main part of these was created in antiquated India, others were made in central, East, or Southeast Asia.


The initial hints of epic verse are found in the Vedic writing, other than a portion of the discourse psalms in the Ṛg·veda, the Ākhyānas, Itihāsas, and Purāṇas of the Brāhmaṇas. Initially tunes of worship, these over the long run formed into epic poems of expanding length, chivalrous melodies revolving around a solitary legend or a solitary incredible occasion.


Of these turns of events, while there might have been a large number of them, just two have made due, the Mahābhārata and the RāmāyaṇaKāvya is the abstract style utilized by court writers. While the Rāmāyaṇa structures the main source and premise of the Kāvyas and keeping in mind that in the previous, structure is subordinate to content, the structure takes on center stage in Kāvya.


Kāvya's works are subsequently brimming with similar sounding word usage, analogies, allegories, and different interesting figures of speech. The Buddhist writer and savant Aśvaghoṣa's Buddhacarita is among the most seasoned instances of Kāvya writing, and the work considers itself a mahākāvya. The most significant of the Kāvyas are Kālidāsa's Raghuvaṃśa and Kumārasambhava.


The creation of the Vedas prompted the ascent of various schools committed to saving and advancing the practices of at least one Vedas. Over the long run, these fanned out and multiplied to take care of the requirements of treating different points and matters. In this way, the different śāstras emerged, or sciences in different disciplines: language, etymology, calculation, astronomy, medication, sex, reasoning, and so forth. There is a huge corpus of writing in Sanskrit covering a wide scope of subjects. 


FAQs


Q1. What is the most popular Sanskrit Text?


Among the most popular show stoppers of Sanskrit writing are the sonnets and plays of Kalidasa, the extraordinary sagas Ramayana and Mahabharata, including the Bhagavad-gita which is a part of the latter, and the Upanishads.


Q2. Why should one learn Sanskrit?


Sanskrit has given birth to numerous Indian languages. Its effect has been kept in texts and consecrated works of tongues spoken everywhere. Sanskrit is associated with Greek and Latin: there are various comparable qualities in phonetics, punctuation, and content. There are comparable qualities in Sanskrit and other European vernaculars like German, too.


Sanskrit inscriptions, or its remnants, including the oldest Sanskrit texts, have been tracked down in deserts and hilly landscapes, for instance, in Nepal, Tibet, Afghanistan, Mongolia, and Uzbekistan, Turkmenistan, Tajikistan, and Kazakhstan. A couple of Sanskrit texts and etchings have been tracked down in Korea and Japan, as well.


Basic combinations of Sanskrit unique copies and inscriptions have been tracked down in China (particularly the Tibetan shelters), Myanmar, Indonesia, Cambodia, Laos, Vietnam, Thailand, and Malaysia. The Indonesian language of Javanese and Malaysia's Malay language moreover show a foundation set apart by Sanskrit's effect. Specialists acknowledge that language verbally communicated in the Philippines has a minor Sanskrit influence, as well. Sino-Tibetan vernaculars, for instance, Telugu have hints of the Sanskrit language.