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ORIGINAL TEXTS BOOKS ON PERFORMING ARTS

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Mostrando 1 a 55 de 55 resultados
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SANSKRIT DRAMA IN THEORY AND PRACTICE
SANSKRIT DRAMA IN THEORY AND PRACTICE
By S.S. JANAKI
RM67
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Abhinaya Darpanam (Sanskrit Text with English Translation)
Abhinaya Darpanam (Sanskrit Text with English Translation)
By Manmohan Ghosh
RM98
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Tamizh Padam-s (Notation, Tamizh - English Text, Meaning in English)
Tamizh Padam-s (Notation, Tamizh - English Text, Meaning in English)
By Smt. Madhavi Rajagopalan
RM112
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The Sangitopanisat-Saroddharah (A Fourteenth-Century Text on Music from Western India)
The Sangitopanisat-Saroddharah (A Fourteenth-Century Text on Music from Western India)
By Allyn Miner
RM179
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Music of Eastern India- Vocal Music in Bengali, Oriya, Assamese and Manipuri with Special Emphasis on Bengali (An Old and Rare Book)
Music of Eastern India- Vocal Music in Bengali, Oriya, Assamese and Manipuri with Special Emphasis on Bengali (An Old and Rare Book)
By Sukumar Ray
RM121
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Kuchipudi Dance in Textual Form
Kuchipudi Dance in Textual Form
By P. Rama Devi
RM143
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Concept of Dance in Classical Sanskrit Literature
Concept of Dance in Classical Sanskrit Literature
By Dr. G. S. Hegde
RM103
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Muthuswamy Dikshitar Compositions (Edited With Text and Notation of Select Compostions)
Muthuswamy Dikshitar Compositions (Edited With Text and Notation of Select Compostions)
By Dr. S. Bhagyalekshmy & Dr. M. N. Moorthy
RM121
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Sangitanarayana (A Seventeenth Century Text on Music and Dance from Orissa) (In Two Volumes)
Sangitanarayana (A Seventeenth Century Text on Music and Dance from Orissa) (In Two Volumes)
By Purusottama Misra,Enriched by Gajapati Narayanadevaand Edited and Translated by Mandakranta Bose
RM425
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Vasudeva Kirthana Manjari (Compositions of Mysore K. Vasudevacharya with Notations in English and Lyrics in Sanskrit Also)
Vasudeva Kirthana Manjari (Compositions of Mysore K. Vasudevacharya with Notations in English and Lyrics in Sanskrit Also)
By S. Krishnamurthi
RM242
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Tibetan Religious Dances (Tibetan Text and Annotated Translation of the Chams Yig)
Tibetan Religious Dances (Tibetan Text and Annotated Translation of the Chams Yig)
By Rene De Nebesky-Wojkowitz
RM148.20
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Purnapurusartha Candrodayam (Sanskrit Allegorical Drama)
Purnapurusartha Candrodayam (Sanskrit Allegorical Drama)
By Thekkeppattu Jatavedasunuh and K. Vijayakrishnan
RM100.10
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Indian Music: Its Origin, History and Characteristics
Indian Music: Its Origin, History and Characteristics
By M. Vijay Laxmi
RM100.10
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The Sanskrit Theatre and Stagecraft (An Old and Rare Book)
The Sanskrit Theatre and Stagecraft (An Old and Rare Book)
By E.W. Marasinghe
RM282
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Vyangyavyakhya: The Aesthetics of Dhvani in Teatre (Sanskrit Text with Transliteration and English Translation)
Vyangyavyakhya: The Aesthetics of Dhvani in Teatre (Sanskrit Text with Transliteration and English Translation)
By K.G. Paulose
RM147
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Classical Sanskrit Prosody
Classical Sanskrit Prosody
By Dr. K.Yedukondalu
RM210
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Sanskrit Drama (Its Aesthetics and Production) (A Rare Book)
Sanskrit Drama (Its Aesthetics and Production) (A Rare Book)
By V. Raghavan
RM210
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Rare Music and Dance Composition of King Sahaji of Thanjavur (With Notation, Text and Meanings)
Rare Music and Dance Composition of King Sahaji of Thanjavur (With Notation, Text and Meanings)
By Smt. Madhavi Rajagopalan
RM134
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The Laws and Practice of Sanskrit Drama (An Old and Rare Book)
The Laws and Practice of Sanskrit Drama (An Old and Rare Book)
By Surendra Nath Shastri
RM188
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Theatric Aspects of Sanskrit Drama (Rare Book)
Theatric Aspects of Sanskrit Drama (Rare Book)
By G.K. Bhat
RM143
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The Origin Of Raga
The Origin Of Raga
By S. Bandyopadhyaya
RM74.90
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The Ramayana Culture: Text, Performance and Iconography
The Ramayana Culture: Text, Performance and Iconography
By Edited By: Mandakranta Bose
RM125
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THE TRADITIONAL SANSKRIT THEATRE OF KERALA (Calicut University Sanskrit Series No. 3)
THE TRADITIONAL SANSKRIT THEATRE OF KERALA (Calicut University Sanskrit Series No. 3)
By C. Rajendran
RM58
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Types of Dramatic Representations in Sanskrit
Types of Dramatic Representations in Sanskrit
By Dr. Kamlesh Birmani
RM76
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An Introduction to Indian Art- Textbook in Fine Arts for Class XI and XII (Set of 2 Volumes)
An Introduction to Indian Art- Textbook in Fine Arts for Class XI and XII (Set of 2 Volumes)
Publisher National Council of Educational Research and Training
RM134
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Tagore's Ballad on The Sun - Lion (Translated from the Brajabuli Original Bhanusingher Padabali by Rabindranath Taogre)
Tagore's Ballad on The Sun - Lion (Translated from the Brajabuli Original Bhanusingher Padabali by Rabindranath Taogre)
By Utpal K. Banerjee
RM98
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Handbook of Music Therapy- Sonorous, Sublime, Soulful & Scintillating Sounds
Handbook of Music Therapy- Sonorous, Sublime, Soulful & Scintillating Sounds
By Sushil Kumar Goel
RM268
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The Importance of Tone, Tune, and Text in Indian Music
The Importance of Tone, Tune, and Text in Indian Music
By Dr. Debashree Bhattacharya
RM210
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A Confluence of Indian Dance Drama and Text
A Confluence of Indian Dance Drama and Text
By Utpal K Banerjee
RM304
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Text Book of Dance
Text Book of Dance
By Gyanendra Dutt Bajpai
RM150.40
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A Companion to Indian Music and Dance - Spanning a Period of Over Three Thousand Years and Based Mainly on Sanskrit Sources (An Old Book)
A Companion to Indian Music and Dance - Spanning a Period of Over Three Thousand Years and Based Mainly on Sanskrit Sources (An Old Book)
By Sures Chandra Banerji
RM157
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A Peep into Yaksagana and Sanskrit Dramaturgy
A Peep into Yaksagana and Sanskrit Dramaturgy
By Dr. G.S. Hegde
RM121
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Sanskrit Play Production In Ancient India (An Old and Rare Book)
Sanskrit Play Production In Ancient India (An Old and Rare Book)
By Tarla Mehta
RM170
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Yaksagana and it's Sanskrit Sources (An Old and Rare Book)
Yaksagana and it's Sanskrit Sources (An Old and Rare Book)
By Dr. G. S. Hegde
RM188
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Kridaniyakam (Myriad Aspects of Comedy in Sanskrit Drama)
Kridaniyakam (Myriad Aspects of Comedy in Sanskrit Drama)
By N.K. Geetha
RM152
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Sanskrit Drama in Performance
Sanskrit Drama in Performance
By Rachel Van M. Baumer and James R. Brandon
RM112
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METATHEATER AND SANSKRIT DRAMA
METATHEATER AND SANSKRIT DRAMA
By Michael Lockwood&A. Vishnu Bhat
RM121
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Tashrih-Ul-Moosiqui (Persian Translation of Tansen’s Original Work ‘Budh Prakash’)
Tashrih-Ul-Moosiqui (Persian Translation of Tansen’s Original Work ‘Budh Prakash’)
By Najma Perveen Ahmad
RM210
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Ritual as Ideology (Text and Context In Teyyam)
Ritual as Ideology (Text and Context In Teyyam)
By Chandran T. V.
RM161
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Lage Raho Munna Bhai (The Original Screenplay)
Lage Raho Munna Bhai (The Original Screenplay)
Publisher Om Books International
RM116
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3 Idiots (The Original Screenplay)
3 Idiots (The Original Screenplay)
By Rajkumar Hirani
RM161
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The Celestial Nagasvaram (Origin, Myths, Reception and the Maestros)
The Celestial Nagasvaram (Origin, Myths, Reception and the Maestros)
By Geetha Rajagopal
RM152
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SACRED MUSIC Its Origins, Powers, and Future (Traditional Music in Today's World)
SACRED MUSIC Its Origins, Powers, and Future (Traditional Music in Today's World)
By Alain Danielou
RM143
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Natyasastra in the Modern World (Proceedings of the 15th World Sanskrit Conference)
Natyasastra in the Modern World (Proceedings of the 15th World Sanskrit Conference)
By Radha Vallabh Tripathi
RM157
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Le Gitalamkara L'ouvrage Original de Bharata Sur La Musique (French Translation of the Book : On the Theory of Music, Critically Edited)
Le Gitalamkara L'ouvrage Original de Bharata Sur La Musique (French Translation of the Book : On the Theory of Music, Critically Edited)
By N.R. Bhatt
RM157
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भारतीय नाट्य सिध्दान्त - उद्भव और विकास (संस्कृत एवं हिंदी नाटकों के विशेष सन्दर्भ में): Principles of Indian Theatre - Origin and Development (A Rare Book)
भारतीय नाट्य सिध्दान्त - उद्भव और विकास (संस्कृत एवं हिंदी नाटकों के विशेष सन्दर्भ में): Principles of Indian Theatre - Origin and Development (A Rare Book)
By डॉ. रामजी पाण्डेय (Dr. Ramji Pandey)
RM246
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तबले का उद्गम, विकास और वादन शैलियाँ The Origin and Development of The Tabla and Methods of Playing
तबले का उद्गम, विकास और वादन शैलियाँ The Origin and Development of The Tabla and Methods of Playing
By योगमाया शुक्ल (Yogmaya Sukla)
RM157
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संस्कृत नाट्य साहित्य में समाज चित्रण: Partrayal of Society in Sanskrit Natya Literature
संस्कृत नाट्य साहित्य में समाज चित्रण: Partrayal of Society in Sanskrit Natya Literature
By डॉ. जीत सिंह 'खोखर' (Dr. Jeet Singh ' Shokhar')
RM89
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संस्कृत के प्रतीकात्मक नाटक: Symbolic Plays in Sanskrit
संस्कृत के प्रतीकात्मक नाटक: Symbolic Plays in Sanskrit
By डॉ. आशारानी त्रिपाठी (Dr. Asharani Tripathi)
RM157
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संस्कृत नाट्यशिल्प और रंगमंच: Sanskrit Natyashilpa and Theatre (An Old and Rare Book)
संस्कृत नाट्यशिल्प और रंगमंच: Sanskrit Natyashilpa and Theatre (An Old and Rare Book)
By राम चन्द्र सरोज (Ram Chandra Saroj)
RM179
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Saint-Composer Tyagaraja’s Nauka Caritramu – Geya Natika (A Musical Play) (Text, Transliteration and Translation)
Saint-Composer Tyagaraja’s Nauka Caritramu – Geya Natika (A Musical Play) (Text, Transliteration and Translation)
By C. Vasundhara
RM152
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संस्कृत के प्रमुख नाटककार तथा उनकी कृतियाँ: Principal Dramatists of Sanskrit and Their Works
संस्कृत के प्रमुख नाटककार तथा उनकी कृतियाँ: Principal Dramatists of Sanskrit and Their Works
By डॉ. गंगासागर राय (Dr. Ganga Sagar Rai)
RM179
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नाट्यत्रयी : Three Sanskrit Plays
नाट्यत्रयी : Three Sanskrit Plays
By रामकृष्ण शर्मा (Ramkrishna Sharma)
RM71.20
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संस्कृतनाट्यकोश: Sanskrit Natya Kosha (Set of 2 Volumes)
संस्कृतनाट्यकोश: Sanskrit Natya Kosha (Set of 2 Volumes)
By डा. रामसागर त्रिपाठी (Dr. Ramsagar Tripathi)
RM392.60
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The Dialogue of Awaara: Raj Kapoor’ Immortal Classic (Original Dialogue Transcribed in Urdu and Roman Scripts)
The Dialogue of Awaara: Raj Kapoor’ Immortal Classic (Original Dialogue Transcribed in Urdu and Roman Scripts)
By K.A. Abbas and V.P. Sathe
RM250.40
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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