BOOKS ON INDIAN RAGAS

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Показано с 1 до 68 из 68 результатов
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Melaragamalika of Maha Vaidyanatha Sivan- Tamiz, Commentary 'Sivapriya' by V.S.V Guruswamy Sastrigal
Melaragamalika of Maha Vaidyanatha Sivan- Tamiz, Commentary 'Sivapriya' by V.S.V Guruswamy Sastrigal
By V.S.V Guruswamy Sastrigal
RM166
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Ganamrutha Bodhini (Sangeetha Bala Padam)
Ganamrutha Bodhini (Sangeetha Bala Padam)
By A. S. Panchapakesa Iyer
RM143
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The Innovative & Prevalent Ragas and Talas- In North Indian Classical Music (With Notations)
The Innovative & Prevalent Ragas and Talas- In North Indian Classical Music (With Notations)
By Prem Kishor Mishra
RM166
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A Comprehensive Dictionary of Carnatic Music
A Comprehensive Dictionary of Carnatic Music
By Vidya Bhavani Suresh
RM277
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Music and Medicine (Healing Brain Injury Through Ragas - A Study)
Music and Medicine (Healing Brain Injury Through Ragas - A Study)
By Shashi Bhushan Singh
RM116
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Melodic Types of Hindusthan- A Scientific Interpretation of the Raga System of Northern India (An Old and Rare Book)
Melodic Types of Hindusthan- A Scientific Interpretation of the Raga System of Northern India (An Old and Rare Book)
By Narendra Kumar Bose
RM362
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Systematic Analysis of Ragas - In Hindustani Classical Music
Systematic Analysis of Ragas - In Hindustani Classical Music
By Shirish R. Shah
RM179
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The Structure of Music in Raga and Western Systems (An Old and Rare Book)
The Structure of Music in Raga and Western Systems (An Old and Rare Book)
By Raja Ramanna
RM322
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A Book on Orchestra (An Old and Rare Book)
A Book on Orchestra (An Old and Rare Book)
By V. Balsara
RM134
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The Doctrine of Raga in Indian Music with Nava Gana Ragas System
The Doctrine of Raga in Indian Music with Nava Gana Ragas System
By Vinod Vidwans
RM148
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The Doctrine of Raga in Indian Music with Nava Gana Ragas System
The Doctrine of Raga in Indian Music with Nava Gana Ragas System
By Vinod Vidwans
RM116
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Theory Of Indian Music (The First Book Containing The Sentiments, Their Effects On Shrutis, Notes And Ragas In Ornamental Shape Along With Formation And Manner Of Display)
Theory Of Indian Music (The First Book Containing The Sentiments, Their Effects On Shrutis, Notes And Ragas In Ornamental Shape Along With Formation And Manner Of Display)
By RAM AVTAR 'VIR
RM139
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Rag Malika With Notation
Rag Malika With Notation
By Shruti Jauhari and Nancy Needhima
RM264
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Ragas in Carnatic Music
Ragas in Carnatic Music
By Dr. S. Bhagyalekshmi
RM166
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The Concept and Evolution of Raga and Music Appreciation
The Concept and Evolution of Raga and Music Appreciation
By Geetha Ravikumar
RM166
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Relevance of Embellishments in Indian Raga System (With Notations)
Relevance of Embellishments in Indian Raga System (With Notations)
By Divya Dayal
RM130
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Ragamala of Tansen: (Published with Grant from Ministry of Culture, Government of India)
Ragamala of Tansen: (Published with Grant from Ministry of Culture, Government of India)
By Harimohan Malviya
RM89
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सा रे गा मा पा: Sa Re Ga Ma Pa
सा रे गा मा पा: Sa Re Ga Ma Pa
By Hem Bhatnagar
RM37.80
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Sangeet Mala with (Part-2)
Sangeet Mala with (Part-2)
By Dattatreya Velankar
RM116
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कोहलमतम्- श्रीकोहलमुनिविरचितम्: Kohalamatam of Sri Kohala Muni
कोहलमतम्- श्रीकोहलमुनिविरचितम्: Kohalamatam of Sri Kohala Muni
By R. SATHYANARAYANA
RM193.80
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Confluence of Indian Raagaas and Western Musical Scales- A Compilation of Comparative and General Study
Confluence of Indian Raagaas and Western Musical Scales- A Compilation of Comparative and General Study
By K. Chandramohan
RM192
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50 Rare Ragas of Carnatic Music (Ragas, Down the Memory Lane)
50 Rare Ragas of Carnatic Music (Ragas, Down the Memory Lane)
By Vidya Bhavani Suresh
RM286
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A Monograph on Sri Tyagaraja Swamy's Ghana Raga Pancharatna Keertanas (A Detailed Commentary on The Literary and Musical Excellence of Pancharatna Compositions)
A Monograph on Sri Tyagaraja Swamy's Ghana Raga Pancharatna Keertanas (A Detailed Commentary on The Literary and Musical Excellence of Pancharatna Compositions)
By Nookala Chinna Satyanarayana
RM143
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Evolution of Hindustani Slide Guitar
Evolution of Hindustani Slide Guitar
By Anil Rai and Joyanta Sarkar
RM106.40
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Sree Patnam Subramanya Iyer (With Notation)
Sree Patnam Subramanya Iyer (With Notation)
By A. S. Panchapakesa Iyer
RM81
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Navagraha Ganamrutham (With Notation)
Navagraha Ganamrutham (With Notation)
By A. S. Panchapakesa Iyer
RM81
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The Ragas of Northern Indian Music
The Ragas of Northern Indian Music
By Alain Danielou
RM242
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Popular Ragas and it's Compositions in Hindustani Instrumental Music
Popular Ragas and it's Compositions in Hindustani Instrumental Music
By Dr. Prateek Chaudhuri
RM246
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Raga Mudras in Dikshitar Kritis
Raga Mudras in Dikshitar Kritis
By Dr. K. Omanakutty
RM98
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Rig - 3 (Raga Identification Guide)
Rig - 3 (Raga Identification Guide)
By K. Balasubramaniam
RM85
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Romance of the Raga
Romance of the Raga
By Vijaya Moorthy
RM151.45
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Raga, Rashtra and Responsibility: Indian Classical Music, Cultural Power and the Making of Modern India
Raga, Rashtra and Responsibility: Indian Classical Music, Cultural Power and the Making of Modern India
By Harvansh Chawla, Karina Chawla, Ojjus Chawla
RM218.40
RM273 20% off
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Bharatiya Sangit Raganidhi- A Comparative Study of Hindustani and Karnatak Raga-s ( A to J and K to Z, Set of 2 Volumes)
Bharatiya Sangit Raganidhi- A Comparative Study of Hindustani and Karnatak Raga-s ( A to J and K to Z, Set of 2 Volumes)
By Subba Rao
RM322
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Sangita Sampradaya Pradarsini of Brahmasri Subbarama Diksitulu (Set of 5 Volumes)
Sangita Sampradaya Pradarsini of Brahmasri Subbarama Diksitulu (Set of 5 Volumes)
By Subbarama Dikshitulu
RM769
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Ragas in Hindustani Music (Set of 5 Books)
Ragas in Hindustani Music (Set of 5 Books)
By Various Authors
RM729
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Prathamabhyasa Pustakamu of Brahmasri Subbarama Diksitulu
Prathamabhyasa Pustakamu of Brahmasri Subbarama Diksitulu
By Subbarama Dikshitulu
RM166
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सङ्गीत-दर्पण:- Sangita-Darpanah: Gaurisvara-Sammatah (Sangita-Darpana, As Created by Gaurisvara)
सङ्गीत-दर्पण:- Sangita-Darpanah: Gaurisvara-Sammatah (Sangita-Darpana, As Created by Gaurisvara)
By Translated By Arjun Bharadwaj
RM443
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Karnataka Sangeeta Sastra (Theory of Carnatic Music)
Karnataka Sangeeta Sastra (Theory of Carnatic Music)
By A. S. Panchapakesa Iyer
RM94
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Raga Harmony- Harmonic Structures and Tonalities in Indian Classical Music
Raga Harmony- Harmonic Structures and Tonalities in Indian Classical Music
By L. Subrahmanya Siddhanti
RM112
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North Indian Instrumental Music Ragas (for Higher Studies)
North Indian Instrumental Music Ragas (for Higher Studies)
By Dr. Prateek Chaudhari
RM300
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Evolution of Raga and Tala in Indian Music
Evolution of Raga and Tala in Indian Music
By M.R. Gautam
RM139
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Hindustani Raga-s Index (Bibliographical References on Descriptions, Compositions and Vistara-s of Hindustani Ragas)
Hindustani Raga-s Index (Bibliographical References on Descriptions, Compositions and Vistara-s of Hindustani Ragas)
By Patrick Moutal
RM139
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Somanatha's Ragavibodha (Critically Edited and Translated) - With CD
Somanatha's Ragavibodha (Critically Edited and Translated) - With CD
By Ranganayaki V. Ayyangar
RM380
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Relevance of Embellishments in Indian Raga System (With Notations)
Relevance of Embellishments in Indian Raga System (With Notations)
By Divya Dayal
RM94
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Six Principal Ragas With A Brief View of Hindu Music
Six Principal Ragas With A Brief View of Hindu Music
By Sourindro Mohan Tagore
RM85
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Hindustani Ragas- The Concept of Time and Season
Hindustani Ragas- The Concept of Time and Season
By Vijay Bazaz Razdan
RM186.40
RM233 20% off
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Ragas in Indian Music
Ragas in Indian Music
By Nandita Kumari
RM228.80
RM286 20% off
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Rajapujita Ramyam- Stuti Gitams- Madhurai. Sri. G. S. Mani's 101 Sanskrit Compositions (With Notations)
Rajapujita Ramyam- Stuti Gitams- Madhurai. Sri. G. S. Mani's 101 Sanskrit Compositions (With Notations)
By Usha Prasad
RM183
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Raga & Music in the Sikh Holy Scriptures
Raga & Music in the Sikh Holy Scriptures
By Savita Bakshi
RM197
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String Compositions of Twentieth Century
String Compositions of Twentieth Century
By Pushpa Basu
RM617
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Swaranjanee: Compositions in Night Raags of North Indian Classical Music (with Notation, Song-Text Meaning & Audio C.D.)
Swaranjanee: Compositions in Night Raags of North Indian Classical Music (with Notation, Song-Text Meaning & Audio C.D.)
By Prabha Atre
RM493.60
RM617 20% off
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Rag-Dhun Dictionary- A Lexicon of Melodic Scales of Indian Music (Set of Two Volumes)
Rag-Dhun Dictionary- A Lexicon of Melodic Scales of Indian Music (Set of Two Volumes)
By R. K. Das
RM282.40
RM353 20% off
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"राग ज्ञान"- Wisdom of Raga (Elucidation of Indian Airs)
"राग ज्ञान"- Wisdom of Raga (Elucidation of Indian Airs)
By S. Bandyopadhyaya
RM327
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History of Indian Music (With Particular Reference to Theory and Practice)
History of Indian Music (With Particular Reference to Theory and Practice)
By Bhavanrav A. Pingle
RM125
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Rag- Rang- Ras
Rag- Rang- Ras
By Alka V. Kade
RM174
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Nyasa in Raga: The Pleasant Pause in Hindustani Music (An Old and Rare Book)
Nyasa in Raga: The Pleasant Pause in Hindustani Music (An Old and Rare Book)
By Dr. Ananya Kumar Dey
RM215
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Ragas and Raginis
Ragas and Raginis
By O.C.Gangoly
RM192
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The Raga-ness of Ragas (Ragas Beyond the Grammar)
The Raga-ness of Ragas (Ragas Beyond the Grammar)
By Deepak S. Raja
RM255
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The Origin Of Raga
The Origin Of Raga
By S. Bandyopadhyaya
RM112
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Ragalaksanam (With Roman)
Ragalaksanam (With Roman)
By R. Sathyanarayana
RM193.60
RM242 20% off
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Raga'n Josh (Stories from a Musical Life)
Raga'n Josh (Stories from a Musical Life)
By Sheila Dhar
RM170
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Lyrics For Rare Janya Ragas
Lyrics For Rare Janya Ragas
Publisher K. S. Muthuswamy
RM183
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राग विबोध मिश्रबानी: Raga Vibodha Mishra Vani (Set of 2 Volumes) (With Notations)
राग विबोध मिश्रबानी: Raga Vibodha Mishra Vani (Set of 2 Volumes) (With Notations)
By डॉ. रागिनी त्रिवेदी (Dr. Ragini Trivedi)
RM327
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राग विशारद: Raga Visharad (With Notation)
राग विशारद: Raga Visharad (With Notation)
By लक्ष्मी नारायण गर्ग (Lakshmi Narayan Garg)
RM322
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राग कोष (1,438 रागों का विवरण): Raag Kosha (A Dictionary of 1,438 Indian Ragas)
राग कोष (1,438 रागों का विवरण): Raag Kosha (A Dictionary of 1,438 Indian Ragas)
By वसंत: (Vasant)
RM139
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Tarjuma-i-Manakutuhala and Risala-i-Ragadarpana
Tarjuma-i-Manakutuhala and Risala-i-Ragadarpana
By Faqirullah (Nawab Saif Khan)
RM237
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रागार्णवम् (रागचन्द्रिका व्याख्या सहित): Ragarnavam -With Ragacandrika Vyakhya (With Notation)
रागार्णवम् (रागचन्द्रिका व्याख्या सहित): Ragarnavam -With Ragacandrika Vyakhya (With Notation)
By भगवतशरण शुक्ल (Bhagavatsharan Shukla)
RM166
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राग जिज्ञासा: Raga Jijnasa
राग जिज्ञासा: Raga Jijnasa
By देवेन्द्रनाथ शुक्ल (Devendra Nath Shukla)
RM161
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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    India
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  • Flagship Store
    71/2 Kirti Nagar Main Road
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    New Delhi 110030, India
    Tel: +91 92178 44842
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