Showing 1391 to 1400 of 1409 results
Showing 1391 to 1400 of 1409 results
Chaturbhuja Bhadrakali Pendant Round
Contained in a small, circular pendant, this image of the Devi Bhadrakali is as awe-inspiring and ferocious as they get. Portrayed on sterling silver, the iconography is stunningly replete. She is dark-complexioned and long-limbed. Her tresses fall in wild curls about Her shoulders, and a sliver of the silver moon rests on Her brow. Her pearls-and-jewels shringar is what practically clothes her besides the girdle of severed human arms around Her loins. In Her four arms (ashtabhuja) are the remains of vanquished adharmees and the sword She has weilded against them. The aspect of her that truly conveys Her power as Devi are Her large, bloodshot eyes, and their fierce, determined gaze.

Devi Bhadrakali stands on the prostrate form of a man on the grass. Except for the hints of adornment on His arms, neck, and lobes, He is naked. The dominant colour of the background is the rich golden yellow of the tropical sunset. A layer of thick, pale blue clouds have been painted along the arc at the centre of which is an embossed aum syllable in smooth silver. The foreground comprises of the glowing green grass on which the ensemble stands, superimposed with a jet of water. The pristine silver of the foundation rims the composition. This statement pendant would inspire whoever sets eyes on it with an eerie curiosity about Devi Bhadrakali.

20" Radha Inching Closer To Her Krishna In Brass | Handmade | Made In India
Much has been written about the undying love between Radha and Her Krishna. The years they spent loving each other in Vrindavan are to this day the subject of devotional art and literature as well as popular imagination. This exquisite brass sculpture captures the divine lovers in a moment of togetherness. They are locked in each other's arms, their fingers on the verge of meeting. Zoom in on the skilfully carved figurines to take in the unusual stance each is in - the neck thrown back, the shoulders slightly closing in, the knees delicately hinged, all of which convey that the lovers are subtly inching closer to each other.
Vibrant Shringar Of The Devi Saraswati
This superb portrayal of the Devi Saraswati is replete with all that makes folk paintings of the type so coveted. Madhubani paintings have evolved in Mithila of Bihar as interior decorations for the mud homes of the region. They are characterised by rudimentary lines, a limited but definitive colour palette that is derived from natural vegetable pigments, and themes that betray the spiritual-devotional inclinations of the simple folks who make this art. This painting is a fine example of Madhubani: the minimalistic silhouette of the Devi, the vivid colours permeating those lines, and the sacredness of the Devi Herself. With Her four hands She plays on the veena, carries a pothi, and counts the beads on a rosary. She is the deity that presides over wealth and resources, prerequisites to preservation that is in turn presided over by Her husband, the Lord Brahma.

This painting is bound to fill your space with an abundance of colour. The Devi is seated in lalitasana, Her form bedecked in brightly coloured silks and shringar, the most notable of which is the thick orange garland that cascades from the neck all the way down to the floor. Her gold kundalas and nath (nosering) and crown against the jet black tresses about Her shoulders and waist, are huge and go with the ultra-feminine makeup on Her divine countenance. Not one but two peacocks are on either side of Her. While She is shown seated on a bed of colourful flowers, the foreground is dominated by a freshly blooming lotus. Note the vibrant red background that hints at something of a court of the Devi in question.

Navagraha (The Nine Planets) - With Each Deity Facing the Correct Direction, Highly Auspicious and Suitable for Rituals and Worship of Navagraha
Possessing this ornate sculpture from the Exotic India collection is equivalent to having the entire heavens upon a small stand in your house. Navgrah (Sanskrit for 'nine celestial bodies') is the collection of deities in Whom are manifested the divinity contained within each celestial body of the solar system. Soorya, Chandra, Mangal, Budha, Guru, Shukra, Shani, Rahu, and Ketu are arranged delicately on an elaborate, common base, each facing the direction ordained to them by the essence of the universe.

Bronze has been the preferred metal of sculpturors since time immemorial. Even though sculptures of brass are more abundant due to the commercial availability of the alloy - especially across the Exotic India website - it is bronze that has a more artistic, elite whiff to it. The members of the Chola dynasty constituted the key patron group of bronze sculpture, who demanded great skill in this art form, funded innovative methods that have gone down in history, and caused the golden age of bronze casting to flourish in the subcontinent.

Dancing Ganesha, Four-headed, Eighteen-armed, Captured In Vivid Red In Brocadeless Newari-style Thangka
Ganesha is as popular with Nepalese Buddhists as He is with Indian Hindus. Called Vinayak in the Kathmandu Valley, which is the origin of the Newari style of art and architecture, this widely loved and venerated deity has been captured in vibrant colours and detail in this brocadelss thangka. He is dancing on a large, black, rather vicious roopa of His vahana, the rat, as His eighteen arms flailing around His portly frame as He motions in dance. His silken dhoti is a pastel red, matching the dye on His inner palms and complementing the pastel-coloured sashes on His troso. In fact, red is the dominant colour of this thangka, from the rich red of the aureoles (even those of the accompanying deities in the corners) and the inner flaps of the Lord's ears, to one of His four pastel-hued heads. The colour, together with the lifelike stance of His limbs and the ecstatic composure of countenance, conveys motion supremely well.

The thangka has all the hallmarks of Tibetan art. A vivid colour palette, Dikapals and other guardian deities that flank the central figure, and a cheerful lotus pedestal. From the bejewelled gold crown and the halo rimmed with gold petals to the entirety of His delicate shringar, the sheer amount of gold in this thangka matches the generous proportions of red that characterise the Neweari style. In each of His hands are objects of dharmic significance, more of which are painted against the dense turquoise background. Note how fiercely He guards His favourite laddooes from toppling over as He dances with a bowlful in one of His hands.

9" Devi Gayatri Idol on Blooming Lotuses | Handmade Brass Statues | Made in India
  • Natural Brass
  • Amazing Patina Gold
  • Green Chola
  • Brown Gold
  • Chola
More Colors
9" Devi Gayatri Idol on Blooming Lotuses | Handmade Brass Statues | Made in India

Goddess Gayatri holds a special place in Hindu mythology and spiritual practices. She is considered the personification of the Gayatri Mantra, one of the most revered and powerful mantras in Hinduism. This mantra is a hymn from the Rigveda and is dedicated to the sun god Savitar, who symbolizes illumination, knowledge, and spiritual awakening.


Gayatri is depicted with five heads, representing the five elements (earth, water, fire, air, and ether) and symbolizing her connection to the entire cosmos. Her ten hands hold various divine attributes, showcasing her multifaceted nature and divine powers.


Worship of Goddess Gayatri is believed to invoke spiritual wisdom, knowledge, and enlightenment. Devotees seek her blessings to remove ignorance and attain inner illumination. She is revered as the mother of the Vedas, signifying the source of knowledge and the sacred scriptures.

Nandi Nuzzling The Feet Of Ardhanarishvara
Of all the folk art forms in India, pattachitra is the most complex. One of the oldest art forms to have flourished in the subcontinent, it is what a lot of people know the state of Odisha by. 'Patta' in Sanskrit means canvas, and 'chitra' picture. And it isn't your run-of-the-mill canvas that functions as the foundation to the pictures. The patta of pattachitra is made in a week-long process that starts with soaking tamarind seeds for the first 3, pestling them thoroughly, and heating them in an earthen pot. The natural paste that emerges is called niyas kalpa in the local language, which is used to glue 2 pieces of fabric. This is further given double coats of soft powdered clay and polished with a rough stone followed by a smooth stone to produce the finished canvas.

The natural pigments that are used for the chitras look great on this patta. While themes usually revolve around Jagannath (for the obvious reasons) and avataras of Krishna, this pattachitra depicts the Ardhanarishvara instead. The deity is stands on a blooming lotus with the seated Nandi muzzling Shiva's feet. Parvati's saree is long and flowing, while Shiva is draped in an austere tigerskin. Her shringar is ampler and more feminine than the grim bands of rudraksha on His limbs. The curves of Her anatomy are more defined, Her thick straight tresses cascade down Her back while His wavey locks are flying in the wind. His jatamukuta is complemented by Her luxuriant crown. Winged celestial beauties floating amidst the clouds on either side of the pattachitra on top complete the composition.

17" Vajrayogini - Tibetan Buddhist Deity In Brass | Handmade | Made In India
  • Antique Black
  • Double Chola
  • Black With Natural Brass
  • Gold
  • Green Gold
  • Super Antique
More Colors
17" Vajrayogini - Tibetan Buddhist Deity In Brass | Handmade | Made In India
This image is that of dakini Vajrayogini. A dakini is the most important female principle in Tantric Buddhism, representing the ever-changing flow of female energy. They are the guardians of teachings and are considered the supreme embodiments of wisdom. The dakini can help change human weaknesses into wisdom and understanding, and the concept of self into enlightened energy.
The Ethereal White Tara, Tibetan Buddhist Devi In Superfine Brocadeless Thangka
White Tara is one of the great Bodhisattvas who confers longevity on Her devotees. Her strange prowess was actually revealed to Vagishvarakirti, an Indian sage who then captured Her in a series of three texts called Cheating Death. He further passed these on to Atisha, a Buddhist master, who had these tajen to and translated into Tibetan in 1042. It is said that White Tara had always been Atisha's guardian deity, having looked after him since his childhood and appeared in his visions. Today, the White Tara practice comes to us through more than one lineages. Gampopa, Milarepa's disciple and founder of the Kagyupa Order, is one line of transmission; Gedundrup, the first Dalai Lama, is another. The thangka on this page is a picture of the devotion that She inspires in the hearts of the pure to this day.

The White Tara is the very picture of beauty and serenity. As if sculpted from a pearl, She is bedecked with gold and jewels, rubies and emeralds and turquoises no less. Her pastel-coloured silks and sashes float about Her body, setting off the graceful poorna-padmasana that She has assumed. Clouds and lotuses and wild Tibetan foliage, all quintessential elements of the traditional thangka, frame Her figure, seated as She is on a gorgeously coloured lotus in full bloom. The aureole that surrounds Her has been painted in intricate detail. The foresty green hue of Her halo, rimmed with gold lotus petals, sprouts shocks of ethereal greenery throughout the circumference. Beneath Her lotus-pedestal is a hint of the ocean's blue, at the mouth of which is a bunch of precious Buddhist offerings. Two wrathful deities surrounded by their respective flame-aureoles hold up to Her a plateful more of offerings each.

The beauteous countenance of Tara is framed by lengthened earlobes, and a tiara of gold, jewels, and flowers rests on Her brow. Her half-shut eyes radiate an otherworldly calm and collectedness possible only for a deity as powerful as She is. Note the eyes on the palms of Her hands as well as the soles of Her feet.

12" The Exquisite Rudratandava In Brass | Handmade | Made In India
  • Indian Cocoa
  • Antique
  • Antique Brown
  • Patina Gold
  • Green Chola
  • Amazing Green Chola
  • Chola
  • Natural Brass
More Colors
12" The Exquisite Rudratandava In Brass | Handmade | Made In India

To Shiva's tandava, there is no match. He is Nataraja, the lord (raja) of the very form of dance (nata). His tandava has the power to destroy the universe, and ready it for creation and preservation again. The beauty of His tandava inspires numerous painters and sculptors in the subcontinent, and this is a fine example of that inspiration. Fashioned from brass and given a range of finishes to suit your space, this dancing Shiva would be a valuable addition to the territory of any Shiva devotee. Sculpted after the lissome musculature of a true yogi, this lifelike portrayal of Rudratandava with a leg raised above the head is a rare piece of iconography. His graceful hands, the anterior ones, are in the usual abhaya-and-aashirvaad stance of the more popular Nataraja; while the posterior hands bear a damru that resonates with the creative naad (Sanskrit for 'sound'), and a flame that destroys all that is created. In this light, this murti is a picture of the cycle of dynamic existence.


The rest of His iconography is replete with the usual details that set the Indian iconography apart from the rest of the world. Shiva performs the Rudratandava upon the skilfully engraved base of an inverted lotus. He is dressed in a short dhoti that sits snugly around the thigh, a richly embroidered sash from which emerges down to the pedestal. This single garment is held in place by an ornate taselled kamarband that He wears right below the navel. The janeu cascades diagonially down His handsome torso, while a clutch of necklaces spreads about His neck and shoulders. The multiple bracelets on each of His arms and the anklets on His dancing feet complete His divine shringar. The most striking aspect of this composition is the awe-inspiring composure of countenance - superbly graceful features are complemented by the symmetry of the face and the large kundala-adorned ears. The magnificent, slender crown that towers atop His brow sets off the roundness of the same.