A superfine Saraswati murti, sculpted from panchaloha. Panchaloha is a unique bronze made of five (‘pancha’) different iron-based (‘loha’) alloys. The metalcasting method used to work with it is called madhuchista vidhana, an Agamic term for a technique that is now known as the lost wax method.
This Saraswati Mata murti depicts Her in lalitasana on a narrow-cut lotus-petal throne. Her limbs are long and slender, the pleats of Her dhoti gathered realistically over those. The rest of Her is in perfect symmetry with Her veena, the signature musical instrument of the Saraswati idol - a lissome beauty, from which pours forth a musical grace.
From the characteristic metallic colour with overtones of coppery green, to the sheer wealth of detail in this Saraswati sculpture’s form and shringar, this Saraswati Puja murti bears all the hallmarks of authentic Swamimalai workmanship. Zoom in on the richly engraved crown and the expressive composure of countenance to appreciate the same.
The glory of Lord Vishnu, captured in a superb panchaloha sculpture. Panchaloha is a portmanteau of ‘Pancha’, which means five, and ‘loha’, which means iron; it refers to a superior bronze made from five different iron-based alloys. The color of thick molten gold, herein symbolic of the cosmic glamour of Vishnu, is characteristic of the same.
The Lord stands on a traditional-style pedestal - upturned lotus on a plinth engraved with lotus petals. He is chaturbhujadhari, the one possessed of (‘dhari’) four (‘chatur’) arms (‘bhuja’), the signature conch and discus in the posterior hands. A tall, finely sculpted crown with a miniature Kirtimukham motif down the frontal midline, setting of the handsome features of His face.
Note how the multiple fishtail-hems of the Lord’s angavastram form a consistent silhouette. From the undulations of His bare anatomy to the intricate adornments layered upon them, each aspect of His iconography has been brought to life by the skill of the Swamimalai artisan.
“Para-Shakti” or “Para-Ambika”- is the primordial mother goddess in Hindu tradition. She is depicted in many cosmic forms in literature and art of Hinduism, one of which is Devi Rajarajeshwari. Commonly known as “Lalita”- the beautiful one and “Tripurasundari”- the most beautiful woman in three realms, Rajarajeshwari (queen or Ishvari of kings or Raja) is mentioned in divine vocabulary in the pages of Brahamanda Purana, in a section called “Lalita Mahatmya” or the Glories of Lalita, where the origin of of the goddess, her celestial activities and the fruits that she bestows upon the Universe are told by Lord Hayagriva to sage Agastya.
The name Rajarajeshwari according to the Brahmanda Purana’s Lalita Sahasranama (A Thousand Names of Lalita), is one of the epithets for the goddess, to emphasize her universal sovereignty, not only over gods and goddesses, but demons, humans, and all other life forms. The Phala-shruti (fruit of listening) to the Purana narrates that kings going to battle, if they listen to the greatness of Lalita and her wars with the demons, are ever-victorious. A continued association of Devi Lalita with kingly virtues and heavenliness that makes her the protectress and sovereign of all beings, has gained the name “Rajarajeshwari” popularity, however, the names “Lalita”, “Tripurasundari” along with Rajarajeshwari refer to one, sole, supreme goddess, who is beyond Brahma-Vishnu-Shiva and a source of the powers of Sarvadevata (all gods).
Explore this enchanting piece of Odisha's Pattachitra with this stunning artwork of Krishna's Mathura Vijaya. The artwork depicts Lord Krishna and Lord Balarama traveling on a brilliant chariot as the enthralled residents of Mathura gather to witness their adored deity. The Gopika’s make a caressing gesture beneath the chariot, seeking to prevent Krishna from heading to Mathura. The core artwork of Mathura Vijaya is surrounded by images of the Dasa Avatars, which depict Lord Vishnu's ten incarnations. The final picture depicts Krishna's Leela, which sums up his incredible travels from childhood to manhood. This Pattachitra masterpiece commemorates Lord Krishna's eternal attraction and divinity while telling the story of good triumphing over evil.
The merciless Durga brings the great Mahishasura to His knees. Her simhavahana (lion-mount) has him between its teeth, while the dashabhujadharini (the one possessed of ten arms) pushes Him down with Her feet and drives the spear end of Her trishoola (trident) into Him. Helplessly, the proud Mahishasura looks up at the feminine victor.
The work of art that you see on this page is a pattachitra of the Mahishasuramardini from Orissa. ‘Mardini’ is the Sanskrt word for slayeress, while the prefix ‘Mahisha’ means buffalo. This roopa (form) of the Devi is deeply worshipped in the Eastern Delta region, of which pattachitra is a traditional folk art form.
The sheer level of detail in this pattachitra makes this a collector’s item: from the embroidery of Mahishasuramardini’s saree to the miniscule motifs across the background. A superbly detailed temple entrance structure, complete with pillars and archway and templetop, frames the central ensemble. A powerful, lifelike composure characterises each countenance in this painting.
Award : Tamil Nadu State Award (2021-22)
Place : Kallakurichi
The Superfine Wooden Carved Shiva Family is a captivating and award-winning sculpture that beautifully depicts the harmonious and divine presence of Lord Shiva, Goddess Parvati, Lord Ganesha, and Lord Kartikeya. Created by the talented artist Shri. S Sagayaraj from Vellore, this masterpiece showcases the artist's exceptional craftsmanship and attention to detail.
The sculpture is divided into three parts, each depicting a significant aspect of the Shiva Family. The lower part portrays the Varahi avatar of Lord Vishnu, accompanied by Vasuki, the serpent. The middle part captures the dynamic and powerful forms of Lord Shiva performing the Tandava dance, symbolizing the cosmic rhythm and destruction.
A larger-than-life (big) Shiva statue that would look great in your interiors or garden space. On a mound of Himalayan rock sits the ascetic of all ascetics. His limbs are gathered in lalitasana, and the right hand is raised in blessing over Shivagana. This Lord Shiva big statue is made from pure brass, which explains the glimmering gold colour.
There is a particularly lifelike quality about this big Shiva statue. The musculature of the limbs, the distinguished digits of hands and feet. The stance of the torso, almost as if one could see the intercoastal motion of divine inhalation and exhalation. The expressive composure of a flawless countenance.
Every detail of Lord Shiva’s traditional iconography has been reproduced in this Mahadeva statue, from the jataayein (dreadlocks) to the trishoola and damroo, and the kamandalu right next to the hem of the tigerskin. The cascading mass of the Adiyogi Shiva (viewed from the back) has been sculpted with particular precision and detail.
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Dimensions of Moon : 23.5x23.5x4 Inch
Dimensions of Tree : 72x36x1 Inch
He could well imagine what the Moon had given her: pure solitude and tranquillity. That was the best thing the Moon could give a person. - Haruki Murakami
This remark perfectly expresses the inspiration that a full moon provides to individuals. It also emphasises the serenity and tranquillity that the moon brings with its soothing glow. Moon has appeared as the protagonist in a number of stories and poetry. It is also part of a huge art collection. This big home decor of a moon, a tree, and a flock of birds is rich with symbolism. The moon represents timelessness in this context. A tree branch represents the moon's link to the land and represents a long-distance romance. The birds, as symbols of freedom and transcendence, symbolise the human urge for emancipation and flight beyond the confines of everyday life. This musical ensemble inspires reflection on the universe's inherent interconnection, the search of wisdom, and the eternal strive for peace between humanity and environment.
Keep a green tree in your heart and perhaps the singing bird will come. - Lois Lowry
This quotation exemplifies the mood conveyed by this brass wall decor depicting a tree with flying birds. The tree is portrayed at its most beautiful here, with branches full of leaves. The birds are seen poised to take flight from the branches. The sculpture is fashioned in a circular shape, which adds dimension to the tree's abundance. It is a hanging piece that can be set anyplace. The use of brass, a strong material, validates the idea of infinity. The representation of the tree's golden-tinged foliage has transcended all levels of excellent creativity. When the little leaves with their individual beauty are combined throughout the artwork, they exude a fine sense of regality and exclusivity. This item, which is ideal for living room decor, will undoubtedly connect the viewer with the tranquil sense of a natural setting in which branches of a tree swing and birds sing.
Light as feathers, as fleeting as Zephyr, one moment they breathed pink, the next they faded. Cherry blossoms were as much an inspiration for beautiful verse as they were a reminder of life’s fickleness, she thought. - Alice Poon
Poets and writers have often compared the ephemeral life to the short-lived cherry blossoms. Flowers, like life, are beautiful but have an expiration date. This spectacular huge brass tree branch studded with exquisite cherry blossom flowers in full bloom and buds is an ideal representation of both the cherry blossom flower and the philosophy of life. The wall decor, made of brass and its sheen, oozes artistry while also promoting a connection with nature. Its splendid stature oozes elegance and grace, bewitching hearts with its radiant display of spring's transient but stunning splendour.
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