The composite motif of bouqueted foliage conveys a stillness that is also dynamic. Pale greens, blues, oranges, and reds have been interspersed with bits of white and black, each hue being brought out to perfection by the background. Amidst the tips of the tendrils on top flit about a couple of huge butterflies. From the shape of the vase the arrangement is in, it is the kind that is woven at home by grandmothers and grandaunts in Kashmiri homes. Note how one of the tendrils, burdened by a particularly heavy-petalled flower, has broken off and now lies at the foot of the vase.
Every square inch of this thangka comprises of the gorgeous colours and motifs that are to be found in these traditional paintings. Flowers of ethereal shapes and tints grace the religious flora. The leaves have a distinctive shape, so do the clouds and the canopies. The foreground features a series of hills and shrubbery in romantic pastels and a stream of thick Himalayan snowmelt making its way to us mortals down below. A fire-spewing dragon is at the Lord's side, a popular motif in art that belongs to this part of the world. It has a long serpentine body, a vicious set of teeth, and fire in place of brows and whiskers. It is a stark contrast to the calm exuded by the deva by its side.
The glassy, translucent water sapphires that have gone into finishing this pendant have been picked for their brilliance. Cut and faceted to maximise their natural aesthetic appeal, they have been smithed onto the gold with a great degree of skill. While these gems are regarded as a more reasonable substitute to sapphires, cordierites stand in a class all their own because of their durability and pleochroism. Watch heads turn towards your decolletage as you walk in anywhere with this pendant gently motioning against your skin.
The field of this saree is luxuriantly done up in woven images of the gorgeous Shakuntala in her garden. The rest of the story is in the pallu, as is the norm with Baluchari sarees, where she is shown with Raja Dushyant. More such figures have been woven onto the moderately thick border as well. The inky black of the foundation together with the glimmering gold of the zari in the foreground, makes for a colour combination that you cannot go wrong with. Teamed with your newest gold possessions, this silken number is as bridal as they get.
It is characterised by thick black outlines, filled in with solid colours with no shading. The painting you see on this page deviates from Madhubani colour conventions, featuring a black-and-white colour format. White spaces are minimised with finer and finer detailing in black, the pigment for which has been derived from carbon black. Despite the rustic mood of the work, Her iconography, as well as Her husband's, is replete. Her hands bear the implements of wrath, and She is naked but for the deathly skirt of severed human arms. Between Her large beauteous eyes is the tattoo of a trishool, indicating that it is to Shiva She belongs. Zoom in on any portion of the background to appreciate the time and labour that must have gone into the same.
The body of the ring is thick and embossed with bits of symmetrically cut wood arranged against the lacquered black to form a bold pattern. These chips range from a shining white to a golden yellow in colour. The surface of the ring that would be conspicuous to onlookers is superimposed with a curvaceous latticework of sterling silver. This is bound to make this ring your go-to accessory, your own personal signature that is at once assertive and feminine. This is indeed the kind of eclectic jewellery that turns heads and starts conversations wherever you go wearing this.
No other part of the world has the resources and the skill to work with pashmina. The fabric is made from the natural molt of the endemic changra goat, which is then delicately spun into yarn, dyed, and painstakingly embroidered using local techniques, which means that this single pashmina item has taken months to be finished. The kalamkari is dense and superbly precise, a hallmark of the high-quality craftsmanship and labour that have gone into this wearable work of art. Layered over your choicest Indian sarees and suits, this pashmina shawl would make an inimitable statement.
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