BOOKS ON NORTH INDIAN MUSIC

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Vaishnava Harmonium (Based on the North Indian System of Music): Book 1 and 2 with Two CDs
Vaishnava Harmonium (Based on the North Indian System of Music): Book 1 and 2 with Two CDs
By Ramanujacharya Das
RM178
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The Ragas of Northern Indian Music
The Ragas of Northern Indian Music
By Alain Danielou
RM223
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Theory Of Indian Music (The First Book Containing The Sentiments, Their Effects On Shrutis, Notes And Ragas In Ornamental Shape Along With Formation And Manner Of Display)
Theory Of Indian Music (The First Book Containing The Sentiments, Their Effects On Shrutis, Notes And Ragas In Ornamental Shape Along With Formation And Manner Of Display)
By RAM AVTAR 'VIR
RM128
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The Imdadkhani Baj- India's Premier Sitar Gharana (With CD Inside)
The Imdadkhani Baj- India's Premier Sitar Gharana (With CD Inside)
By Subhas Chanda
RM153
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The Classical Music of North India (The Music of the Baba Allauddin Gharana as taught by Ali Akbar Khan at the Ali Akbar College of Music): Volume One The First Years Study
The Classical Music of North India (The Music of the Baba Allauddin Gharana as taught by Ali Akbar Khan at the Ali Akbar College of Music): Volume One The First Years Study
By Ali Akbar Khan , Notations and Explanatory text by George Ruckert
RM204.30
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Indian Music A Rare Book
Indian Music A Rare Book
By Dr. Thakur Jaideva Singh & Edited By: Prem Lata Sharma
RM194
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Celebration of Life Indian Folk Dances
Celebration of Life Indian Folk Dances
By Jiwan Pani
RM153
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Music Systems in India (A Comparative Study of Some of The Leading Music Systems of The 15th, 16th, 17th, and 18th Centuries) An Old and Rare Book
Music Systems in India (A Comparative Study of Some of The Leading Music Systems of The 15th, 16th, 17th, and 18th Centuries) An Old and Rare Book
By V. N. Bhatkhande
RM95
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Indian Dances For Beginners
Indian Dances For Beginners
By Ram Avtar 'Vir'
RM69.60
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A History of Indian Music (Set of 2 Volumes)
A History of Indian Music (Set of 2 Volumes)
By Paramahamsa Prajnanananda
RM140
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North Indian Instrumental Music Ragas (for Higher Studies)
North Indian Instrumental Music Ragas (for Higher Studies)
By Dr. Prateek Chaudhari
RM277
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Indian Puppetry and Puppet Stories
Indian Puppetry and Puppet Stories
By Sampa Ghosh&Utpal K. Banerjee
RM194
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Evolution of Raga and Tala in Indian Music
Evolution of Raga and Tala in Indian Music
By M.R. Gautam
RM128
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Indian Classical Music (An Audio Visual Guide)
Indian Classical Music (An Audio Visual Guide)
By Pt. Ravi Shankar Prasanna
RM142.40
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Vintage Tabla Repertory (Drum Compositions of North Indian Classical Music)<br>Accompanied with Two Compact Discs
Vintage Tabla Repertory (Drum Compositions of North Indian Classical Music)
Accompanied with Two Compact Discs
By Gert - Matthias Wegner
RM497.70
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Elements of Western Music for Students of Indian Music (With Notation)
Elements of Western Music for Students of Indian Music (With Notation)
By Prof. P. Sambamoorthy
RM58
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Pitch Analysis in South Indian Music (With a Critical Examination of The Theory of 22 Sruti-s)
Pitch Analysis in South Indian Music (With a Critical Examination of The Theory of 22 Sruti-s)
By Madhu Mohan Komaragiri
RM182
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Tabla and The World Of Indian Rhythms
Tabla and The World Of Indian Rhythms
By Sudhis Chandra Banerjee
RM227
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Swaraanginee - Composition in Moring, Afternoon and Evening Raags of North Indian Classical Music with Notation (With CD Inside)
Swaraanginee - Composition in Moring, Afternoon and Evening Raags of North Indian Classical Music with Notation (With CD Inside)
By Dr. Prabha Atre
RM254.40
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Splendours of Indian Dance (Forms - Theory - Practice)
Splendours of Indian Dance (Forms - Theory - Practice)
By V. Raghavan
RM182
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New Instrumental Compositions For North Indian Music
New Instrumental Compositions For North Indian Music
By Anil Mihiripenna
RM211
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Natya Brahman - Theatric Universe: A Concept of Ancient Indian Theatre (An Old and Rare Book)
Natya Brahman - Theatric Universe: A Concept of Ancient Indian Theatre (An Old and Rare Book)
By Anita Ratnam Rangaraj
RM128
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Mridangam (An Indian Classical Percussion Drum)
Mridangam (An Indian Classical Percussion Drum)
By Shreejayanthi Gopal
RM116
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Dadasaheb Phalke (The Father of Indian Cinema)
Dadasaheb Phalke (The Father of Indian Cinema)
By Bapu Watve & translated by S. A. Virkar
RM112
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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  • Exotic India Art Pvt Ltd
    A16/1 WAZIRPUR INDUSTRIAL AREA
    Delhi 110052
    Delhi
    India
    Tel:+91-8031404444
In the USA
  • Tel: +1 347 468 7193
Our Stores
  • Flagship Store
    71/2 Kirti Nagar Main Road
    WHS Block 2
    Delhi 110015, India
    Tel: +91 95991 00764
  • Home Decor
    Khasra No. 432
    Mehrauli-Gurgaon Rd
    opp. Metro Pillar 97
    Gadaipur, DLF Farms
    New Delhi 110030, India
    Tel: +91 92178 44842
  • Jewelry & Apparel
    5D, 1, Dada Jungi Ln
    Shahpur Jat, Siri Fort
    New Delhi 110049, India
    Tel: +91 92178 43827
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