BOOKS ON INDIAN MUSIC

Affichage de 145 à 216 sur 649 résultats
Affichage de 145 à 216 sur 649 résultats
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Notations to Study Karnatic Music (South Indian Music)
Notations to Study Karnatic Music (South Indian Music)
By V. Gopinathan
AED85
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50 Evergreen Ragas of Carnatic Music
50 Evergreen Ragas of Carnatic Music
By Vidya Bhavani Suresh
AED222
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Galaxy of Carnatic Musicians (Set of 2 Volumes)
Galaxy of Carnatic Musicians (Set of 2 Volumes)
By S.V.K
AED174
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50 Rare Ragas of Carnatic Music (Ragas, Down the Memory Lane)
50 Rare Ragas of Carnatic Music (Ragas, Down the Memory Lane)
By Vidya Bhavani Suresh
AED230
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Faqs on Carnatic Music
Faqs on Carnatic Music
By Vidya Bhavani Suresh
AED182
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Dr Aban E. Mistry An Art Seeker- A Lady Who Dedicated Her Life to Indian Music (With Notations)
Dr Aban E. Mistry An Art Seeker- A Lady Who Dedicated Her Life to Indian Music (With Notations)
By Gaurang Bhavsar and Dr Chirag Solanki
AED189
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Evolution of Hindustani Slide Guitar
Evolution of Hindustani Slide Guitar
By Anil Rai and Joyanta Sarkar
AED85.40
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Rabindranath Tagore- The Poet and the Musician (An Old and Rare Book)
Rabindranath Tagore- The Poet and the Musician (An Old and Rare Book)
By Arun Basu
AED63
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Compositions in Western Staff Notation (For Piano Keyboard Guitar Violin Saxophone)
Compositions in Western Staff Notation (For Piano Keyboard Guitar Violin Saxophone)
By V. K. Krishna Rao
AED82
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Comparative Music Fundamentals of Western Music
Comparative Music Fundamentals of Western Music
By Gowri Kuppuswamy and M. Hariharan
AED74
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Western Notations: For All Musical Instruments (Set of 4 Volumes)
Western Notations: For All Musical Instruments (Set of 4 Volumes)
By Sreevalsan Malikkadavu
AED130
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Indian Music- Trends and Traditions
Indian Music- Trends and Traditions
By V.K. Aggarwal and Alka Nagpal
AED93
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Odissi Music- Evolution, Revival and Technique
Odissi Music- Evolution, Revival and Technique
By Itishree Sahoo
AED137.20
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Facets of Indian Music
Facets of Indian Music
By R. K. Das
AED111.30
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Saint Tyagaraja Krithis- Compositions in Western Staff Notation For Piano Keyboard Guitar Violin Saxophone (Part- II)
Saint Tyagaraja Krithis- Compositions in Western Staff Notation For Piano Keyboard Guitar Violin Saxophone (Part- II)
By V. K. Krishna Prasad
AED82
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Saint Tyagaraja Krithis- Compositions in Western Staff Notation For Piano Keyboard Guitar Violin Saxophone (Part- I)
Saint Tyagaraja Krithis- Compositions in Western Staff Notation For Piano Keyboard Guitar Violin Saxophone (Part- I)
By V. K. Krishna Prasad
AED82
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Muthuswamy Dikshitar Krithis- Compositions in Western Staff Notation For Piano Keyboard Guitar Violin Saxophone (Part- I)
Muthuswamy Dikshitar Krithis- Compositions in Western Staff Notation For Piano Keyboard Guitar Violin Saxophone (Part- I)
By V. K. Krishna Prasad
AED57.40
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Muthuswamy Dikshitar Krithis- Compositions in Western Staff Notation For Piano Keyboard Guitar Violin Saxophone (Part- II)
Muthuswamy Dikshitar Krithis- Compositions in Western Staff Notation For Piano Keyboard Guitar Violin Saxophone (Part- II)
By V. K. Krishna Prasad
AED57.40
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Music Manuscript
Music Manuscript
Publisher Suvarnaraagam Musicals, Kerala
AED30.80
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An Introduction to Karnatic Music (With Notation)
An Introduction to Karnatic Music (With Notation)
By K. Sashi Kumar
AED70
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प्रणव सुधा - Pranava Sudha
प्रणव सुधा - Pranava Sudha
By Shweta Keshari, Satyavar Prasad, Jyoti Singh and Kumar Nyupaane
AED70
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Shruti Laya : A Bunch of Research Papers
Shruti Laya : A Bunch of Research Papers
By K.Sashi Kumar
AED72.80
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The Ragas of Northern Indian Music
The Ragas of Northern Indian Music
By Alain Danielou
AED193
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Vaishnava Harmonium (Based on the North Indian System of Music): Book 1 and 2 with Two CDs
Vaishnava Harmonium (Based on the North Indian System of Music): Book 1 and 2 with Two CDs
By Ramanujacharya Das
AED152
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Ganamrutha Keerthanamalika- With Notaion (Vol-VIII)
Ganamrutha Keerthanamalika- With Notaion (Vol-VIII)
By A. S. Panchapakesa Iyer
AED104
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Ganamrutha Keerthanamalika- With Notaion (Vol-II)
Ganamrutha Keerthanamalika- With Notaion (Vol-II)
By A. S. Panchapakesa Iyer
AED67.60
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Ganamrutha Keerthanamalika- With Notaion (Vol-IV)
Ganamrutha Keerthanamalika- With Notaion (Vol-IV)
By A. S. Panchapakesa Iyer
AED72.80
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Ganamrutha Keerthanamalika- With Notaion (Vol-V)
Ganamrutha Keerthanamalika- With Notaion (Vol-V)
By A. S. Panchapakesa Iyer
AED72.80
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Ganamrutha Keerthanamalika- With Notaion (Vol-VI)
Ganamrutha Keerthanamalika- With Notaion (Vol-VI)
By A. S. Panchapakesa Iyer
AED104
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Ganamrutha Keerthanamalika- With Notaion (Vol-VII)
Ganamrutha Keerthanamalika- With Notaion (Vol-VII)
By A. S. Panchapakesa Iyer
AED72.80
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Ganamrutha Keerthanamalika- With Notaion (Vol-IX)
Ganamrutha Keerthanamalika- With Notaion (Vol-IX)
By A. S. Panchapakesa Iyer
AED72.80
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Ganamrutha Keerthanamalika- With Notaion (Vol-X)
Ganamrutha Keerthanamalika- With Notaion (Vol-X)
By A. S. Panchapakesa Iyer
AED72.80
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Art Without Frontiers - Classical Dance and Music of India
Art Without Frontiers - Classical Dance and Music of India
By Sharon Lowen
AED176.40
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Evolution of Indian Classical Music
Evolution of Indian Classical Music
By Neerja Bhatnagar
AED264.60
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Music as Yoga
Music as Yoga
By Swami Sivananda
AED70
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Popular Ragas and it's Compositions in Hindustani Instrumental Music
Popular Ragas and it's Compositions in Hindustani Instrumental Music
By Dr. Prateek Chaudhuri
AED196
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Carnatic Music Reader In Western Staff Notation (Tutor For Guitar, Piano, Keyboard, Saxophone Violin) (Three Part Varnam Series Adi Tala Varnam ? 1) (Part 2)
Carnatic Music Reader In Western Staff Notation (Tutor For Guitar, Piano, Keyboard, Saxophone Violin) (Three Part Varnam Series Adi Tala Varnam ? 1) (Part 2)
By V.K. Krishna Prasad
AED70
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Carnatic Music Reader In Western Staff Notation (Tutor For Guitar, Piano, Keyboard, Saxophone Violin) ( Part Three Varnam Series Adi Tala Varnam ? 2)
Carnatic Music Reader In Western Staff Notation (Tutor For Guitar, Piano, Keyboard, Saxophone Violin) ( Part Three Varnam Series Adi Tala Varnam ? 2)
By V.K. Krishna Prasad
AED65
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Carnatic Music Reader In Western Staff Notation (Tutor For Guitar, Piano, Keyboard, Saxophone Violin) (Three Part Varnam Series Ata Tala Varnam) (Part 4)
Carnatic Music Reader In Western Staff Notation (Tutor For Guitar, Piano, Keyboard, Saxophone Violin) (Three Part Varnam Series Ata Tala Varnam) (Part 4)
By V.K. Krishna Prasad
AED70
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Emotional Intelligence, Creativity and Music Learning Practices
Emotional Intelligence, Creativity and Music Learning Practices
By Ina Shastri
AED180.70
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Vintage Tabla Repertory (Drum Compositions of North Indian Classical Music)<br>Accompanied with Two Compact Discs
Vintage Tabla Repertory (Drum Compositions of North Indian Classical Music)
Accompanied with Two Compact Discs
By Gert - Matthias Wegner
AED433.80
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Triveni- A Confluence of Music Maestros & Their Musical Thoughts
Triveni- A Confluence of Music Maestros & Their Musical Thoughts
By Shivani Saxena
AED85.40
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The History of Tamil Music
The History of Tamil Music
By Dr. Salem S. Jeyalakshmi
AED156
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The History of Tamil Music
The History of Tamil Music
By Dr. Salem S. Jeyalakshmi
AED211
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Mind Over Finger: Distinction In Music Theory Exams – For Grades One to Five
Mind Over Finger: Distinction In Music Theory Exams – For Grades One to Five
By Ronald Laloo
AED119
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Folk Music and Folk Dances of Banaras
Folk Music and Folk Dances of Banaras
By Onkar Prasad
AED174
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Cruises of A Musical Researcher's Pen
Cruises of A Musical Researcher's Pen
By Radha Venkatachalam
AED111
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Prominent Musical Instruments- Technique and Tradition
Prominent Musical Instruments- Technique and Tradition
By Madhubala Saxena
AED119
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A History of Indian Music
A History of Indian Music
By Paramahamsa Prajnanananda
AED111
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Musical Heritage of Varanasi or Banarasi Sangeet Gharana
Musical Heritage of Varanasi or Banarasi Sangeet Gharana
By P.K. Chaube
AED52
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Musical Gems Of Women Maestros
Musical Gems Of Women Maestros
By Alamelu Ramakrishna
AED230
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Music as History in Tamilnadu
Music as History in Tamilnadu
By T. K. Venkatasubramanian
AED121.80
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Fourteen Songs
Fourteen Songs
By Arthur Geddes
AED83.30
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Satyajit Ray in 100 Anecdotes
Satyajit Ray in 100 Anecdotes
By Arthy Muthanna Singh, Mamta Nainy
AED46.90
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The Origin of Dhrupad from Prabandha and Its Present State
The Origin of Dhrupad from Prabandha and Its Present State
By Jhunu Dey
AED100
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Hitting The Right Notes Hindi Cinema's Golden Music
Hitting The Right Notes Hindi Cinema's Golden Music
By Manek Premchand
AED148
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Symphonic Journey of Shankar Jaikishan
Symphonic Journey of Shankar Jaikishan
By Dattatreya Pujari and Geetha Pujari
AED77.70
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Sangeet Aaradhana Part-5 Upantya- Visharad (Learn Music- Practical and Theory)
Sangeet Aaradhana Part-5 Upantya- Visharad (Learn Music- Practical and Theory)
By Monica Hiten Shah
AED51.80
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Sangeet Aaradhana Part-2 Praveshika- Purna (Learn Music- Practical and Theory)
Sangeet Aaradhana Part-2 Praveshika- Purna (Learn Music- Practical and Theory)
By Monica Hiten Shah
AED63
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Sangeet Aaradhana Part-4 Madhyama- Purna (Learn Music- Practical and Theory)
Sangeet Aaradhana Part-4 Madhyama- Purna (Learn Music- Practical and Theory)
By Monica Hiten Shah
AED63
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Sangeet Aaradhana Part-3 Madhyama- Pratham (Learn Music- Practical and Theory)
Sangeet Aaradhana Part-3 Madhyama- Pratham (Learn Music- Practical and Theory)
By Monica Hiten Shah
AED63
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Ganasagaram An Ocean of Music (Set of Two Volumes)
Ganasagaram An Ocean of Music (Set of Two Volumes)
By Apeetha Narayanan
AED119
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History of Hindu Music
History of Hindu Music
By S.M. Tagore
AED109.20
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Universal History of Music
Universal History of Music
By S.M. Tagore
AED140
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The Torchbearers (Keep the Flame of Indian Classical Music Alive)
The Torchbearers (Keep the Flame of Indian Classical Music Alive)
By Harsh Meswani
AED241.50
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An Introduction to Music & Musicology
An Introduction to Music & Musicology
By Goutam Nag
AED74
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Music and Society in Indian History- A Study of Gaya's Musical Heritage (Occasional Paper- VIII)
Music and Society in Indian History- A Study of Gaya's Musical Heritage (Occasional Paper- VIII)
By Tirthankar Roy
AED46.90
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Glimpses on Indian Musicology
Glimpses on Indian Musicology
By Dr. Lovely Sharma
AED163.80
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Indian Music and Enchanting Emalagam of Dance (An Old and Rare Book)
Indian Music and Enchanting Emalagam of Dance (An Old and Rare Book)
By Vasanthy Rao
AED126
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Indian Music: Its Origin, History and Characteristics
Indian Music: Its Origin, History and Characteristics
By M. Vijay Laxmi
AED83.30
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Academic Centres for the Promotion of Indian Music
Academic Centres for the Promotion of Indian Music
By Dr. Lovely Sharma
AED130
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Music in Advertisements
Music in Advertisements
By Ina Shastri and Garima Dutta
AED81.90
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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