BOOKS ON INDIAN MUSIC

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Music: A Ladder For The Soul
Music: A Ladder For The Soul
Publisher Baha’I Publishing Trust
฿209
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Music Manuscript
Music Manuscript
Publisher Suvarnaraagam Musicals, Kerala
฿288.40
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฿412 30% off
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Veena, Self -Taught - An Introduction to Carnatic Music (With Notation)
Veena, Self -Taught - An Introduction to Carnatic Music (With Notation)
By S.V. Leela
฿443
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Elements of Western Music for Students of Indian Music (With Notation)
Elements of Western Music for Students of Indian Music (With Notation)
By Prof. P. Sambamoorthy
฿443
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Acoustics for Music Students (With Notation)
Acoustics for Music Students (With Notation)
By C. Subrahmanya Ayyar
฿443
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Musical Instruments in Sculpture in Karnataka
Musical Instruments in Sculpture in Karnataka
By B. Chaitanya Deva
฿443
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Pictures of Famous Composers, Musicians and Patrons
Pictures of Famous Composers, Musicians and Patrons
By P. Sambamoorthy
฿443
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The Music of India (A Popular Handbook of Hindustani Music)
The Music of India (A Popular Handbook of Hindustani Music)
By Shripada Bandoypadhyaya
฿475
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Musical Heritage of Varanasi or Banarasi Sangeet Gharana
Musical Heritage of Varanasi or Banarasi Sangeet Gharana
By P.K. Chaube
฿475
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Indian Music (Gateway to Salvation)
Indian Music (Gateway to Salvation)
By Richa Varma
฿475
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Eminent Indians: Musicians
Eminent Indians: Musicians
By M L Ahuja
฿356.25
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Essentials of Sama Veda and its Music (Sanskrit Text with Transliteration and English Translation)
Essentials of Sama Veda and its Music (Sanskrit Text with Transliteration and English Translation)
By R. L. Kashyap
฿507
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Tansen
Tansen
By Anant Pai
฿507
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The Seven Principal Musical Notes of the Hindus- With Their Presiding Dieties, Composed in Celebration of the Birth-Day (With Notations)
The Seven Principal Musical Notes of the Hindus- With Their Presiding Dieties, Composed in Celebration of the Birth-Day (With Notations)
By Sourindro Mohun Tagore
฿538
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Sangeet Natak- Journal of Th Sangeet Natak Akademi 74 (An Old and Rare Book)
Sangeet Natak- Journal of Th Sangeet Natak Akademi 74 (An Old and Rare Book)
By A. Chatterjee
฿403.50
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Sangeet Natak- Volume XLII, Number 4, 2008
Sangeet Natak- Volume XLII, Number 4, 2008
Publisher SANGEET NATAK AKADEMI
฿403.50
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Sangeet Natak- Volume, XLI, Number 3, 2007
Sangeet Natak- Volume, XLI, Number 3, 2007
By R.C. Mehta
฿403.50
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Sangeet Natak- Journal of The Sangeet Natak Akademy -29
Sangeet Natak- Journal of The Sangeet Natak Akademy -29
By Uma Anand
฿403.50
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Tansen- The Musical Gem
Tansen- The Musical Gem
By Dolly Rizvi
฿538
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The Music of India
The Music of India
By Atiya Begum Fyzee Rahamin
฿538
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Rhythm in the Vaishnava Music of Assam
Rhythm in the Vaishnava Music of Assam
By Maheswar Neog And Keshab Changkakati
฿570
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Indian Traditions in Search of Unity through Music
Indian Traditions in Search of Unity through Music
Publisher Ramakrishna Mission Institute of Culture
฿427.50
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History of Indian Music With Particular Reference to Theory and Practice
History of Indian Music With Particular Reference to Theory and Practice
By Bhavanrav A Pingle
฿570
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Sangeet Natak- Journal of The Sangeet Natak Akademy -26 (An Old and Rare Book)
Sangeet Natak- Journal of The Sangeet Natak Akademy -26 (An Old and Rare Book)
By Uma Anand
฿570
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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  • Exotic India Art Pvt Ltd
    A16/1 WAZIRPUR INDUSTRIAL AREA
    Delhi 110052
    Delhi
    India
    Tel:+91-8031404444
In the USA
  • Tel: +1 347 468 7193
Our Stores
  • Flagship Store
    71/2 Kirti Nagar Main Road
    WHS Block 2
    Delhi 110015, India
    Tel: +91 95991 00764
  • Home Decor
    Khasra No. 432
    Mehrauli-Gurgaon Rd
    opp. Metro Pillar 97
    Gadaipur, DLF Farms
    New Delhi 110030, India
    Tel: +91 92178 44842
  • Jewelry & Apparel
    5D, 1, Dada Jungi Ln
    Shahpur Jat, Siri Fort
    New Delhi 110049, India
    Tel: +91 92178 43827
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