BOOKS ON INDIAN MUSIC

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Acoustics for Concerts- Karnataka Ganakala Parishat Golden Jubilee Celebration (01-02-2020 to 16-02-2020)
Acoustics for Concerts- Karnataka Ganakala Parishat Golden Jubilee Celebration (01-02-2020 to 16-02-2020)
By M. A. Madhuvanthi
RM83
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Soulfully Yours Ravi
Soulfully Yours Ravi
By Manek Premchand
RM149
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Jnana Prabodha- Scientific Aspects of Karnatak Classical Music
Jnana Prabodha- Scientific Aspects of Karnatak Classical Music
By Vidushi Veena Mohan
RM136
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Best of Kishore Kumar: A Tribute - Selected Hindi Songs with Notations and Chords (Vol.II)
Best of Kishore Kumar: A Tribute - Selected Hindi Songs with Notations and Chords (Vol.II)
By Balbir Singh
RM91
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Suswaralaya College of Music (R) Presents Directory of Karnatak Musicians (Karnataka: An Old and Rare Book)
Suswaralaya College of Music (R) Presents Directory of Karnatak Musicians (Karnataka: An Old and Rare Book)
By Edited By H. S. Sudhindra
RM99
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The Song of the Soul: A Musical Journal
The Song of the Soul: A Musical Journal
By Ajnish
RM83
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Two Seats of Music: Mysore and Tanjore
Two Seats of Music: Mysore and Tanjore
By M. B. Vedavalli
RM289
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Women in Music, Art and Culture- Empowering Expression and Transforming Perspectives
Women in Music, Art and Culture- Empowering Expression and Transforming Perspectives
By Edited By Samidha Vedabala
RM116
RM145 20% off
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The Psychology of Indian Music- Tradition, Society and Evolution
The Psychology of Indian Music- Tradition, Society and Evolution
By Kiran Tiwari
RM175.20
RM219 20% off
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Veena, Self -Taught - An Introduction to Carnatic Music (With Notation)
Veena, Self -Taught - An Introduction to Carnatic Music (With Notation)
By S.V. Leela
RM58
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Elements of Western Music for Students of Indian Music (With Notation)
Elements of Western Music for Students of Indian Music (With Notation)
By Prof. P. Sambamoorthy
RM58
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Musical Instruments in Sculpture in Karnataka
Musical Instruments in Sculpture in Karnataka
By B. Chaitanya Deva
RM58
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Music Teaching: Traditions, Reforms and National Education Policy (ΝΕΡ 2020)
Music Teaching: Traditions, Reforms and National Education Policy (ΝΕΡ 2020)
By Monika Soni, Bhagwant Kaur
RM116
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Harikeshanallur Dr L Mutthaih Bhagavatar- A Biography
Harikeshanallur Dr L Mutthaih Bhagavatar- A Biography
By Meera Rajaram Pranesh
RM124
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Odissi Music (Set of 5 Books)
Odissi Music (Set of 5 Books)
By Various Authors
RM520
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भरतकोश : Bharatakosa (A Dictionary to Technical Terms with definitions on Music and Dance Collected from the Works of Bharata and Others) - (An Old and Rare Book)
भरतकोश : Bharatakosa (A Dictionary to Technical Terms with definitions on Music and Dance Collected from the Works of Bharata and Others) - (An Old and Rare Book)
By M. Ramakrishna Kavi
RM330
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Bharatiya Knowledge Traditions: Arts, Performance and Aesthetic Knowledge (Volume 2)
Bharatiya Knowledge Traditions: Arts, Performance and Aesthetic Knowledge (Volume 2)
By Pranav Kumar
RM128
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Bharatiya Knowledge Traditions: Arts, Performance and Aesthetic Knowledge (Volume 2)
Bharatiya Knowledge Traditions: Arts, Performance and Aesthetic Knowledge (Volume 2)
By Pranav Kumar
RM169
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Music and Sanskrit Literature
Music and Sanskrit Literature
By Vaishnavi Poorna
RM99
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Music: An Art and A Language
Music: An Art and A Language
By Walter Raymond Spalding
RM281
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Sangeet Shastra: Spiritual, Emotional and Therapeutic Elements in Indian Knowledge System
Sangeet Shastra: Spiritual, Emotional and Therapeutic Elements in Indian Knowledge System
By Amrita Priyamvada
RM211.20
RM264 20% off
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Essentials of Sama Veda and its Music (Sanskrit Text with Transliteration and English Translation)
Essentials of Sama Veda and its Music (Sanskrit Text with Transliteration and English Translation)
By R. L. Kashyap
RM66
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Pancharathna Ganamrutham (Text With Notation)
Pancharathna Ganamrutham (Text With Notation)
By A. S. Panchapakesa Iyer
RM74
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Sree Kamalamba Navavaranam (With Notation)
Sree Kamalamba Navavaranam (With Notation)
By A. S. Panchapakesa Iyer
RM74
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The Musical Legacy of Pandit Bhajan Sopori
The Musical Legacy of Pandit Bhajan Sopori
By Dr. Nusrat
RM372
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Religiosity of Odissi Music
Religiosity of Odissi Music
By Bishnu Mohan Kabi
RM99
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Gotipua Dance and Odissi Music (A Glorious Tradition)
Gotipua Dance and Odissi Music (A Glorious Tradition)
By Bishnu Mohan Kabi
RM99
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From Silence to Structure: Theory and Practice (Music Production and Sound Design)
From Silence to Structure: Theory and Practice (Music Production and Sound Design)
By Md. Gulbahar Saifi
RM116
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Understanding Music Therapy: East or West, Music is the Best! (Vol-1)
Understanding Music Therapy: East or West, Music is the Best! (Vol-1)
By T. V. Sairam
RM145.60
RM182 20% off
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Theory of Indian Music: Sangita Sastra Sangraha- Part II (With Notation, Only 1 copy in stock)
Theory of Indian Music: Sangita Sastra Sangraha- Part II (With Notation, Only 1 copy in stock)
By Dr. M.B. Vedavalli
RM169
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MS Subbulakshmi (Set of 4 Books)
MS Subbulakshmi (Set of 4 Books)
By Various Authors
RM392
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Pancharatna Kritis of Tyagaraja (Set of 5 Books)
Pancharatna Kritis of Tyagaraja (Set of 5 Books)
By Various Authors
RM260
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साम भारती: Sam Bharati- International Journal on Music and Performing Arts, Vol-1. November 2019
साम भारती: Sam Bharati- International Journal on Music and Performing Arts, Vol-1. November 2019
By Edited By Basavi Mukerji
RM99
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Sree Patnam Subramanya Iyer (With Notation)
Sree Patnam Subramanya Iyer (With Notation)
By A. S. Panchapakesa Iyer
RM74
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Music as Yoga
Music as Yoga
By Swami Sivananda
RM83
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Carnatic Music
Carnatic Music
By Suresh Narayanan
RM87
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साम भारती: Sam Bharati- International Journal on Music and Performing Arts, Vol-2. November 2020
साम भारती: Sam Bharati- International Journal on Music and Performing Arts, Vol-2. November 2020
By Edited By Priyanka Howladar
RM103
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साम भारती: Sam Bharati- International Journal on Music and Performing Arts, Vol-3. November 2021
साम भारती: Sam Bharati- International Journal on Music and Performing Arts, Vol-3. November 2021
By Edited By Priyanka Howladar
RM99
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साम भारती: Sam Bharati- International Journal on Music and Performing Arts, Vol-4, July 2024
साम भारती: Sam Bharati- International Journal on Music and Performing Arts, Vol-4, July 2024
By Edited By Priyanka Howladar
RM99
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முருகரத்னாகரம்- Murugarathnaakaram: Compositions of Sri T.N. Bala (Text, Transliteration, Translation and Notation: Volume- 1)
முருகரத்னாகரம்- Murugarathnaakaram: Compositions of Sri T.N. Bala (Text, Transliteration, Translation and Notation: Volume- 1)
By T. N. Bala
RM103
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A Treatise in the Music of Hindoostan
A Treatise in the Music of Hindoostan
By Willard Augustus
RM281
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Oriental Music: Unity in Diversity (Essays Towards Mutual Understanding)
Oriental Music: Unity in Diversity (Essays Towards Mutual Understanding)
By Margaret E. Cousins
RM149
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Mysore As a Seat of Music- Revised and Enlarged Edition
Mysore As a Seat of Music- Revised and Enlarged Edition
By M. B. Vedavalli
RM107
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Talavadya Seminar 1- Proceedings of the Talavadya Seminar No. 1 (An Old and Rare Book)
Talavadya Seminar 1- Proceedings of the Talavadya Seminar No. 1 (An Old and Rare Book)
By Compiled And Edited By Bangalore K. Venkataram
RM78
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Karaikkaal Ammaiyaar Opera with Notations (An Old And Rare Book)
Karaikkaal Ammaiyaar Opera with Notations (An Old And Rare Book)
By Papanasam Sivan
RM83
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Karnataka Sangeeta Sastra (Theory of Carnatic Music)
Karnataka Sangeeta Sastra (Theory of Carnatic Music)
By A. S. Panchapakesa Iyer
RM87
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संगीत शास्त्र: Sangeet Shastra (Theory of Indian Music)
संगीत शास्त्र: Sangeet Shastra (Theory of Indian Music)
By डा. जगदीश सहाय कुलश्रेष्ठ: (Dr. Jagdish Sahay Kulshreshtha)
RM87
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Music Systems in India (A Comparative Study of Some of The Leading Music Systems of The 15th, 16th, 17th, and 18th Centuries) An Old and Rare Book
Music Systems in India (A Comparative Study of Some of The Leading Music Systems of The 15th, 16th, 17th, and 18th Centuries) An Old and Rare Book
By V. N. Bhatkhande
RM95
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Utkaliya Pala
Utkaliya Pala
By JAGANNATH KUANR
RM107
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Purandaradasa Kirtanas - 4(A) (In Sanskrit, Kannada with Swara Notations Meanings in English) (An Old and Rare Book)
Purandaradasa Kirtanas - 4(A) (In Sanskrit, Kannada with Swara Notations Meanings in English) (An Old and Rare Book)
By Compiled And Edited By V. N. Padmini, Jayalakshmi Srinivasan
RM107
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Rhythm in the Vaishnava Music of Assam
Rhythm in the Vaishnava Music of Assam
By Maheswar Neog And Keshab Changkakati
RM74
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Rhythmic Rhapsodies- A Glimpse of the Folk Performing Arts of India
Rhythmic Rhapsodies- A Glimpse of the Folk Performing Arts of India
By Compiled And Edited By Gouri Basu
RM355
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सङ्गीत-दर्पण:- Sangita-Darpanah: Gaurisvara-Sammatah (Sangita-Darpana, As Created by Gaurisvara)
सङ्गीत-दर्पण:- Sangita-Darpanah: Gaurisvara-Sammatah (Sangita-Darpana, As Created by Gaurisvara)
By Translated By Arjun Bharadwaj
RM409
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संगीतार्णवचन्द्रिका- Sangitarnava Chandrika (An Old and Rare Book)
संगीतार्णवचन्द्रिका- Sangitarnava Chandrika (An Old and Rare Book)
By Nilakanth
RM128
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Sacred Pulse- Tabla - The Path to Superconsciousness
Sacred Pulse- Tabla - The Path to Superconsciousness
By Debaditya Mazumder
RM78
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Karnataka Shastriya Sangeeta- Junior with Question Papers
Karnataka Shastriya Sangeeta- Junior with Question Papers
By D. Smitha Srikiran, R. N. Srilatha
RM91
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Pallavi with Notations
Pallavi with Notations
By Bhubaneswar Mishra
RM103
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Rare Music and Dance Composition of King Sahaji of Thanjavur (With Notation, Text and Meanings)
Rare Music and Dance Composition of King Sahaji of Thanjavur (With Notation, Text and Meanings)
By Smt. Madhavi Rajagopalan
RM95
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Karnatic Music Reader (Part 1) (Containing Introduction Saptha Swara, Sarali Varisa, Janta Varisa, Alankaram, Gitam, Swarajathi )
Karnatic Music Reader (Part 1) (Containing Introduction Saptha Swara, Sarali Varisa, Janta Varisa, Alankaram, Gitam, Swarajathi )
By Dr. S. Bhagyalekshmy
RM85.60
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Music and Medicine (Healing Brain Injury Through Ragas - A Study)
Music and Medicine (Healing Brain Injury Through Ragas - A Study)
By Shashi Bhushan Singh
RM107
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Tala and Nattuvangam: A Theoretical and Practical Study
Tala and Nattuvangam: A Theoretical and Practical Study
By Sreekanth P. V
RM99
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Odishi Music
Odishi Music
Publisher Guru Kelu Charan Mohapatra Odissi Research Centre
RM136
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Calling Elvis- Conversations with Some of Music's Greatest:A Personal History
Calling Elvis- Conversations with Some of Music's Greatest:A Personal History
By Shantanu Datta
RM116
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संस्कृत-सङ्गीत-मञ्जूषा: Sanskrit Sangita Manjusha
संस्कृत-सङ्गीत-मञ्जूषा: Sanskrit Sangita Manjusha
By Manjushree Tripathy
RM132
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भारतस्य सङ्गीत-विश्वानुबन्ध-यात्रा- India's Cultural Pride in Interrelationship with World Music Culture
भारतस्य सङ्गीत-विश्वानुबन्ध-यात्रा- India's Cultural Pride in Interrelationship with World Music Culture
Publisher Mumbai Tarun Bharat, Mumbai
RM442
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Untouched Aspects of Musicians with Special Reference to Indian Music
Untouched Aspects of Musicians with Special Reference to Indian Music
By Om Prakash Sharma
RM157
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Indian Music: Tradition, Innovation and Influence
Indian Music: Tradition, Innovation and Influence
By Edited By Amandeep Singh Makkar, Kumar Sargam
RM157
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Music in India: A Bird's Eye View
Music in India: A Bird's Eye View
By Lavanya Kirti Singh 'Kavya'
RM124
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Music in Ancient Civilizations
Music in Ancient Civilizations
By Mallika Banerjee
RM124
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म्यूज़िक मास्टर (हारमोनिम, तबला और बाँसुरी गाइड) - Music Master (Harmonium, Tabla & Flute Guide)
म्यूज़िक मास्टर (हारमोनिम, तबला और बाँसुरी गाइड) - Music Master (Harmonium, Tabla & Flute Guide)
By प्रभुलाल गर्ग: (Prabhulal Garg)
RM107
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Karnatic Music Reader
Karnatic Music Reader
By Dr. S. Bhagyalekshmy
RM107
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Musical Compositions of Sri Sadasiva Brahmendra Saraswathi
Musical Compositions of Sri Sadasiva Brahmendra Saraswathi
By Prof. K. Kamala
RM112
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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    71/2 Kirti Nagar Main Road
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