BOOKS ON INDIAN MUSIC

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Ganamrutha Varna Malika (With Notation)
Ganamrutha Varna Malika (With Notation)
By A. S. Panchapakesa Iyer
RM149
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Vaishnava Harmonium (Based on the North Indian System of Music): Book 1 and 2 with Two CDs
Vaishnava Harmonium (Based on the North Indian System of Music): Book 1 and 2 with Two CDs
By Ramanujacharya Das
RM178
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Ragas in Carnatic Music
Ragas in Carnatic Music
By Dr. S. Bhagyalekshmi
RM153
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Carnatic Music
Carnatic Music
By Suresh Narayanan
RM87
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Carnatic Music Reader In Western Staff Notation (A Primer For Guitar, Piano, Keyborad, Saxophone, Violin) (Set of 7 Volumes)
Carnatic Music Reader In Western Staff Notation (A Primer For Guitar, Piano, Keyborad, Saxophone, Violin) (Set of 7 Volumes)
By V. K. Krishna Prasad
RM454
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The Ragas of Northern Indian Music
The Ragas of Northern Indian Music
By Alain Danielou
RM223
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Theory Of Indian Music (The First Book Containing The Sentiments, Their Effects On Shrutis, Notes And Ragas In Ornamental Shape Along With Formation And Manner Of Display)
Theory Of Indian Music (The First Book Containing The Sentiments, Their Effects On Shrutis, Notes And Ragas In Ornamental Shape Along With Formation And Manner Of Display)
By RAM AVTAR 'VIR
RM128
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Music as Yoga
Music as Yoga
By Swami Sivananda
RM83
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Essentials of Sama Veda and its Music (Sanskrit Text with Transliteration and English Translation)
Essentials of Sama Veda and its Music (Sanskrit Text with Transliteration and English Translation)
By R. L. Kashyap
RM66
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Karnatic Music Reader
Karnatic Music Reader
By Dr. S. Bhagyalekshmy
RM107
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Ganamrutha Bodhini (Sangeetha Bala Padam)
Ganamrutha Bodhini (Sangeetha Bala Padam)
By A. S. Panchapakesa Iyer
RM132
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Karnataka Sangeeta Sastra (Theory of Carnatic Music)
Karnataka Sangeeta Sastra (Theory of Carnatic Music)
By A. S. Panchapakesa Iyer
RM87
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Music Forms
Music Forms
By Geoffrey Hodson
RM136
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Popular Ragas and it's Compositions in Hindustani Instrumental Music
Popular Ragas and it's Compositions in Hindustani Instrumental Music
By Dr. Prateek Chaudhuri
RM227
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Carnatic Music Reader in Western Staff Notation (A Primer For Learning Guitar, Piano, Saxophone, Violin)
Carnatic Music Reader in Western Staff Notation (A Primer For Learning Guitar, Piano, Saxophone, Violin)
By V. K. Krishna Prasad
RM101.50
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Ganamrutha Keerthanamalika- With Notation (Set of 10 Volumes)
Ganamrutha Keerthanamalika- With Notation (Set of 10 Volumes)
By A. S. Panchapakesa Iyer
RM458
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The Classical Music of North India (The Music of the Baba Allauddin Gharana as taught by Ali Akbar Khan at the Ali Akbar College of Music): Volume One The First Years Study
The Classical Music of North India (The Music of the Baba Allauddin Gharana as taught by Ali Akbar Khan at the Ali Akbar College of Music): Volume One The First Years Study
By Ali Akbar Khan , Notations and Explanatory text by George Ruckert
RM204.30
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Indian Music A Rare Book
Indian Music A Rare Book
By Dr. Thakur Jaideva Singh & Edited By: Prem Lata Sharma
RM194
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Music Systems in India (A Comparative Study of Some of The Leading Music Systems of The 15th, 16th, 17th, and 18th Centuries) An Old and Rare Book
Music Systems in India (A Comparative Study of Some of The Leading Music Systems of The 15th, 16th, 17th, and 18th Centuries) An Old and Rare Book
By V. N. Bhatkhande
RM95
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Tansen
Tansen
By Anant Pai
RM66
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Pancharathna Ganamrutham (Text With Notation)
Pancharathna Ganamrutham (Text With Notation)
By A. S. Panchapakesa Iyer
RM74
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The Dictionary of Hindustani Classical Music
The Dictionary of Hindustani Classical Music
By Bimalakanta Roychaudhuri
RM116
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Nyasa in Raga: The Pleasant Pause in Hindustani Music (An Old and Rare Book)
Nyasa in Raga: The Pleasant Pause in Hindustani Music (An Old and Rare Book)
By Dr. Ananya Kumar Dey
RM198
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Fundamentals of Music Therapy (With Chemistry of Music and Music Astrology)- An Old and Rare Book
Fundamentals of Music Therapy (With Chemistry of Music and Music Astrology)- An Old and Rare Book
By Prabhu Sharan Mehta
RM194
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SACRED MUSIC Its Origins, Powers, and Future (Traditional Music in Today's World)
SACRED MUSIC Its Origins, Powers, and Future (Traditional Music in Today's World)
By Alain Danielou
RM136
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A History of Indian Music (Set of 2 Volumes)
A History of Indian Music (Set of 2 Volumes)
By Paramahamsa Prajnanananda
RM140
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North Indian Instrumental Music Ragas (for Higher Studies)
North Indian Instrumental Music Ragas (for Higher Studies)
By Dr. Prateek Chaudhari
RM277
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Karnatic Music Reader (Part 1) (Containing Introduction Saptha Swara, Sarali Varisa, Janta Varisa, Alankaram, Gitam, Swarajathi )
Karnatic Music Reader (Part 1) (Containing Introduction Saptha Swara, Sarali Varisa, Janta Varisa, Alankaram, Gitam, Swarajathi )
By Dr. S. Bhagyalekshmy
RM85.60
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Music and Medicine (Healing Brain Injury Through Ragas - A Study)
Music and Medicine (Healing Brain Injury Through Ragas - A Study)
By Shashi Bhushan Singh
RM107
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Carnatic Music Reader In Western Staff Notation (Tutor For Guitar, Piano, Keyboard, Saxophone Violin) (Three Part Kriti Series Kritis 3) (Part 7)
Carnatic Music Reader In Western Staff Notation (Tutor For Guitar, Piano, Keyboard, Saxophone Violin) (Three Part Kriti Series Kritis 3) (Part 7)
By V.K. Krishna Prasad
RM116
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Carnatic Music Reader In Western Staff Notation (Tutor For Guitar, Piano, Keyboard, Saxophone Violin) (Three Part Varnam Series Adi Tala Varnam ? 1) (Part 2)
Carnatic Music Reader In Western Staff Notation (Tutor For Guitar, Piano, Keyboard, Saxophone Violin) (Three Part Varnam Series Adi Tala Varnam ? 1) (Part 2)
By V.K. Krishna Prasad
RM81.20
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Evolution of Raga and Tala in Indian Music
Evolution of Raga and Tala in Indian Music
By M.R. Gautam
RM128
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Rare Music and Dance Composition of King Sahaji of Thanjavur (With Notation, Text and Meanings)
Rare Music and Dance Composition of King Sahaji of Thanjavur (With Notation, Text and Meanings)
By Smt. Madhavi Rajagopalan
RM95
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Indian Classical Music: A Sequential Guide to Ragas
Indian Classical Music: A Sequential Guide to Ragas
By RAVI SHANKAR PRASANNA
RM135.20
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Indian Classical Music (An Audio Visual Guide)
Indian Classical Music (An Audio Visual Guide)
By Pt. Ravi Shankar Prasanna
RM142.40
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Vintage Tabla Repertory (Drum Compositions of North Indian Classical Music)<br>Accompanied with Two Compact Discs
Vintage Tabla Repertory (Drum Compositions of North Indian Classical Music)
Accompanied with Two Compact Discs
By Gert - Matthias Wegner
RM497.70
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Elements of Western Music for Students of Indian Music (With Notation)
Elements of Western Music for Students of Indian Music (With Notation)
By Prof. P. Sambamoorthy
RM58
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Pitch Analysis in South Indian Music (With a Critical Examination of The Theory of 22 Sruti-s)
Pitch Analysis in South Indian Music (With a Critical Examination of The Theory of 22 Sruti-s)
By Madhu Mohan Komaragiri
RM182
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Swaraanginee - Composition in Moring, Afternoon and Evening Raags of North Indian Classical Music with Notation (With CD Inside)
Swaraanginee - Composition in Moring, Afternoon and Evening Raags of North Indian Classical Music with Notation (With CD Inside)
By Dr. Prabha Atre
RM254.40
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Sree Kamalamba Navavaranam (With Notation)
Sree Kamalamba Navavaranam (With Notation)
By A. S. Panchapakesa Iyer
RM74
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Prominent Musical Instruments- Technique and Tradition
Prominent Musical Instruments- Technique and Tradition
By Madhubala Saxena
RM136
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The Lost World of Hindustani Music
The Lost World of Hindustani Music
By Kumar Prasad Mukherji
RM149
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New Instrumental Compositions For North Indian Music
New Instrumental Compositions For North Indian Music
By Anil Mihiripenna
RM211
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Bhatkhande’s Contribution To Music
Bhatkhande’s Contribution To Music
By Sobhana Nayar
RM92.40
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Sree Purandara Ganamrutham- Text With Notation (Set of 2 Volumes)
Sree Purandara Ganamrutham- Text With Notation (Set of 2 Volumes)
By A. S. Panchapakesa Iyer
RM182
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Carnatic Music Reader In Western Staff Notation (Tutor For Guitar, Piano, Keyboard, Saxophone Violin) (Three Part Kriti Series Kritis 1) (Part 5)
Carnatic Music Reader In Western Staff Notation (Tutor For Guitar, Piano, Keyboard, Saxophone Violin) (Three Part Kriti Series Kritis 1) (Part 5)
By V.K. Krishna Prasad
RM81.20
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Sangeet Aaradhana- Learn Music- Practical and Theory (Set of Six Volumes)
Sangeet Aaradhana- Learn Music- Practical and Theory (Set of Six Volumes)
By Monica Hiten Shah
RM413
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The Musician and His Art Essays on Hindustani Music
The Musician and His Art Essays on Hindustani Music
By Deepak S. Raja
RM157
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Khyal- Creativity within North India's Classical Music Tradition (With Audio Cassette)
Khyal- Creativity within North India's Classical Music Tradition (With Audio Cassette)
By Bonnie C. Wade
RM256.50
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Musical Instruments
Musical Instruments
By B.C. Deva
RM87
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Musical Instruments in Sculpture in Karnataka
Musical Instruments in Sculpture in Karnataka
By B. Chaitanya Deva
RM58
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Tanjore as a Seat of Music
Tanjore as a Seat of Music
By S. Seetha
RM277
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Karnataka Sangeetha Darpana: Junior Grade Theory & Compositional Forms with Notations (Book- 1)
Karnataka Sangeetha Darpana: Junior Grade Theory & Compositional Forms with Notations (Book- 1)
By T. Sachidevi
RM120
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Carnatic Music Reader In Western Staff Notation (Tutor For Guitar, Piano, Keyboard, Saxophone Violin) (Three Part Kriti Series Kritis 2) (Part 6)
Carnatic Music Reader In Western Staff Notation (Tutor For Guitar, Piano, Keyboard, Saxophone Violin) (Three Part Kriti Series Kritis 2) (Part 6)
By V.K. Krishna Prasad
RM81.20
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Musical Compositions of Sri Sadasiva Brahmendra Saraswathi
Musical Compositions of Sri Sadasiva Brahmendra Saraswathi
By Prof. K. Kamala
RM112
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Sree Patnam Subramanya Iyer (With Notation)
Sree Patnam Subramanya Iyer (With Notation)
By A. S. Panchapakesa Iyer
RM74
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Swararangee (Compositions in North Indian Semi-Classical and Light Music Thumri, Daadraa, Ghazal, Bhaktigeet and Marathi Ghazal, Bhaktigeet with Notation and CD)
Swararangee (Compositions in North Indian Semi-Classical and Light Music Thumri, Daadraa, Ghazal, Bhaktigeet and Marathi Ghazal, Bhaktigeet with Notation and CD)
By Dr. Prabha Atre
RM254.40
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Beyond Music (Maestros in Conversation)
Beyond Music (Maestros in Conversation)
By Geeta Sahai
RM155.20
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50 Maestros Recordings (The Best of India Classical Music): Book with CD
50 Maestros Recordings (The Best of India Classical Music): Book with CD
By Amaan Ali Khan, and Ayaan Ali Khan
RM149
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श्रुतिपद सरिता: Srutipada Sarita-Musical Notations of Traditional and Self-Made Dhrupad Compositions
श्रुतिपद सरिता: Srutipada Sarita-Musical Notations of Traditional and Self-Made Dhrupad Compositions
By Ritwik Sanyal
RM153
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The Innovative & Prevalent Ragas and Talas- In North Indian Classical Music (With Notations)
The Innovative & Prevalent Ragas and Talas- In North Indian Classical Music (With Notations)
By Prem Kishor Mishra
RM153
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Pancharatna Kritis of Tyagaraja in Western Staff Notation
Pancharatna Kritis of Tyagaraja in Western Staff Notation
By V. K. Krishna Prasad
RM95
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Manasollasa
Manasollasa
By Deepti Omchery Bhalla
RM120
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The History of Tamil Music
The History of Tamil Music
By Dr. Salem S. Jeyalakshmi
RM178
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Veena, Self -Taught - An Introduction to Carnatic Music (With Notation)
Veena, Self -Taught - An Introduction to Carnatic Music (With Notation)
By S.V. Leela
RM58
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Music Rituals in the Temples of South India Vol. 1
Music Rituals in the Temples of South India Vol. 1
By Geetha Rajagopal
RM211
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Sikh Musicology: Sri Guru Granth Sahib and Hymns of The Human Spirit (With Notation)
Sikh Musicology: Sri Guru Granth Sahib and Hymns of The Human Spirit (With Notation)
By Gurnam Singh
RM182
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The Music of India - A Scientific Study
The Music of India - A Scientific Study
By B. Chaitanya Deva
RM161
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Sangita Sastra Sangraha (A Guide to Theory of Indian Music)
Sangita Sastra Sangraha (A Guide to Theory of Indian Music)
By Dr. M.B. Vedavalli
RM107
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Odissi: The Third Classical Form of Indian Music
Odissi: The Third Classical Form of Indian Music
By Rajesh Sendh
RM178
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Enlightening the Listener - Contemporary North Indian Classical Vocal Music Performance (With CD Inside)
Enlightening the Listener - Contemporary North Indian Classical Vocal Music Performance (With CD Inside)
By Dr. Prabha Atre
RM195.20
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THE SCALES OF INDIAN MUSIC (A cognitive Approach to <i>That/Melakarta</i>)
THE SCALES OF INDIAN MUSIC (A cognitive Approach to That/Melakarta)
By Prithwindra Mukherjee
RM256
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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