BOOKS ON INDIAN MUSIC

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Introduction to the Study of Musical Scales
Introduction to the Study of Musical Scales
By Alain Danielou
฿1488
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The Music of India
The Music of India
By Atiya Begum Fyzee Rahamin
฿538
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The Music of India
The Music of India
By H. A. Popley
฿665
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Musical Instruments of India: History and Development
Musical Instruments of India: History and Development
By Ram Avtaar 'Vir'
฿918
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Karnataka Music As Aesthetic Form (History of Science, Philosophy and Culture in Indian Civilization)
Karnataka Music As Aesthetic Form (History of Science, Philosophy and Culture in Indian Civilization)
By R. Sathyanarayana
฿887
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MUSIC OF THE SOUTH ASIAN PEOPLES: A Historical Study of Music of India, Kashmere, Ceylon and Bangaladesh and Pakistan (Volume One)
MUSIC OF THE SOUTH ASIAN PEOPLES: A Historical Study of Music of India, Kashmere, Ceylon and Bangaladesh and Pakistan (Volume One)
By Paramahamsa Prajnanananda
฿982
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Becoming a Global Audience (Longing and Belonging in Indian Music Television)
Becoming a Global Audience (Longing and Belonging in Indian Music Television)
By Vamsee Juluri
฿1140
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Along The Path of Music
Along The Path of Music
By Prabha Atrre
฿1013
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History of Music | Books On Indian Music
History of Music | Books On Indian Music
By S. M. Tagore
฿1552
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Hindustani Music and Aesthetics Today
Hindustani Music and Aesthetics Today
By Sushil Kumar Saxena
฿1583
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Karnatic Music Reader (Part 4) (Containing Concert, Compositions In Notation)
Karnatic Music Reader (Part 4) (Containing Concert, Compositions In Notation)
By Dr. S. Bhagyalekshmy
฿823
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Karnatic Music Reader
Karnatic Music Reader
By Dr. S. Bhagyalekshmy
฿823
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Music In Traditional Indian Theatre
Music In Traditional Indian Theatre
By Dr. Rani Balbir Kaur
฿1583
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Raga'n Josh (Stories from a Musical Life)
Raga'n Josh (Stories from a Musical Life)
By Sheila Dhar
฿1203
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चतुर्दण्डीप्रकाशिका: Caturdandiprakasika of Venkatamakhin (Critically Edited and Translated with Commentary and Notes in Set of 2 Volumes)
चतुर्दण्डीप्रकाशिका: Caturdandiprakasika of Venkatamakhin (Critically Edited and Translated with Commentary and Notes in Set of 2 Volumes)
By Edited & Translated By: R. Sathyanarayana
฿5510
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The Sangitopanisat-Saroddharah (A Fourteenth-Century Text on Music from Western India)
The Sangitopanisat-Saroddharah (A Fourteenth-Century Text on Music from Western India)
By Allyn Miner
฿1362
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Classical Musical Instruments
Classical Musical Instruments
By Dr. Suneera Kasliwal
฿1267
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A.R. Rahman – The Spirit of Music: Conversations with Nasreen Munni Kabir (With Audio CD)
A.R. Rahman – The Spirit of Music: Conversations with Nasreen Munni Kabir (With Audio CD)
By Nasreen Munni Kabir
฿1172
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Song of the Spirit…The World of Sacred Music
Song of the Spirit…The World of Sacred Music
By Sudhamahi Regunathan
฿1963
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Development of Hindustani Classical Music (19th and 20th Centuries)
Development of Hindustani Classical Music (19th and 20th Centuries)
By Dr. Rama Saraf
฿2217
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Music Contexts (A Concise Dictionary of Hindustani Music)
Music Contexts (A Concise Dictionary of Hindustani Music)
By Ashok Da.Ranade
฿1457
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Elements of Hindustani Classical Music
Elements of Hindustani Classical Music
By Shruti Jauhari
฿950
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Music: A Ladder For The Soul
Music: A Ladder For The Soul
Publisher Baha’I Publishing Trust
฿209
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฿380 45% off
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Hindi Film Song (Music Beyond Boundaries)
Hindi Film Song (Music Beyond Boundaries)
By Ashok Da. Ranade
฿1330
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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Locate Us
  • Exotic India Art Pvt Ltd
    A16/1 WAZIRPUR INDUSTRIAL AREA
    Delhi 110052
    Delhi
    India
    Tel:+91-8031404444
In the USA
  • Tel: +1 347 468 7193
Our Stores
  • Flagship Store
    71/2 Kirti Nagar Main Road
    WHS Block 2
    Delhi 110015, India
    Tel: +91 95991 00764
  • Home Decor
    Khasra No. 432
    Mehrauli-Gurgaon Rd
    opp. Metro Pillar 97
    Gadaipur, DLF Farms
    New Delhi 110030, India
    Tel: +91 92178 44842
  • Jewelry & Apparel
    5D, 1, Dada Jungi Ln
    Shahpur Jat, Siri Fort
    New Delhi 110049, India
    Tel: +91 92178 43827
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