BOOKS ON INDIAN MUSICAL INSTRUMENTS

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LEARN TO PLAY ON VEENA (PANKAJ LEARN YOURSELF MUSIC SERIES)
LEARN TO PLAY ON VEENA (PANKAJ LEARN YOURSELF MUSIC SERIES)
By TARA BALAGOPAL
AED93
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Handbook of Bansuri (Flute): History, Anatomy, Learning, Maintenance
Handbook of Bansuri (Flute): History, Anatomy, Learning, Maintenance
By Pankaj+Vishal
AED74
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Vaishnava Harmonium (Based on the North Indian System of Music): Book 1 and 2 with Two CDs
Vaishnava Harmonium (Based on the North Indian System of Music): Book 1 and 2 with Two CDs
By Ramanujacharya Das
AED152
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How To Play Harmonium: Synthesizer, Piano and Accordian
How To Play Harmonium: Synthesizer, Piano and Accordian
By Krishna Kumar Agrawal, Shambhu Sharma
AED82
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How To Play Tabla: Mridanga, Kongo, Bongo and Tabla Tarang
How To Play Tabla: Mridanga, Kongo, Bongo and Tabla Tarang
By Krishana Kumar Agrwal & Hazi Shabban Khan
AED89
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Complete Tabla
Complete Tabla
By Amod Dandage
AED119
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Ganamrutha Bodhini (Sangeetha Bala Padam)
Ganamrutha Bodhini (Sangeetha Bala Padam)
By A. S. Panchapakesa Iyer
AED115
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How To Play Sitar
How To Play Sitar
By Krishana Kumar Agrwal & Smt. Rama Babry
AED93
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Learn How to Play Flute
Learn How to Play Flute
By Bharti Agarwal
AED74
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Popular Ragas and it's Compositions in Hindustani Instrumental Music
Popular Ragas and it's Compositions in Hindustani Instrumental Music
By Dr. Prateek Chaudhuri
AED196
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Learn to Play on Sitar
Learn to Play on Sitar
By Ram Avtar 'Vir'
AED74
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The Imdadkhani Baj- India's Premier Sitar Gharana (With CD Inside)
The Imdadkhani Baj- India's Premier Sitar Gharana (With CD Inside)
By Subhas Chanda
AED133
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Sitar and Its Compositions (Set Of 2 Volumes) (An Old and Rare Book)
Sitar and Its Compositions (Set Of 2 Volumes) (An Old and Rare Book)
By V. K. Aggarwal and Alka Nagpal
AED151.20
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Nikhil Banerjee (Down The Heart of Sitar)
Nikhil Banerjee (Down The Heart of Sitar)
By Swapan Bandyopadhyay
AED119
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Handbook of Sarod (History, Anatomy, Learning, Maintenance)
Handbook of Sarod (History, Anatomy, Learning, Maintenance)
By Pankaj+Vishal
AED78
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Playing Techniques of Tabla: Banaras Gharana (With Notation)
Playing Techniques of Tabla: Banaras Gharana (With Notation)
By Pandit Chhote Lal Misra
AED139.20
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Handbook of Sitar (History, Anatomy, Learning and Maintenance)
Handbook of Sitar (History, Anatomy, Learning and Maintenance)
By Pankaj Vishal
AED74
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Compositions of The Great Tabla Maestros (Splendid and Rare Collection of the Compositions of Tabla Legends of Various Gharanas)
Compositions of The Great Tabla Maestros (Splendid and Rare Collection of the Compositions of Tabla Legends of Various Gharanas)
By Dr. S. R. Chishti
AED124.80
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Handbook of Harmonium (History, Anatomy, Learning, Maintenance)
Handbook of Harmonium (History, Anatomy, Learning, Maintenance)
By Pankaj+Vishal
AED74
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Music of the Nations (A Comparative Study)
Music of the Nations (A Comparative Study)
By Paramahamsa Prajnanananda
AED104
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North Indian Instrumental Music Ragas (for Higher Studies)
North Indian Instrumental Music Ragas (for Higher Studies)
By Dr. Prateek Chaudhari
AED241
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HARIPRASAD CHAURASIA: Romance of the Bamboo Reed (A Biography) (An Old and Rare Book)
HARIPRASAD CHAURASIA: Romance of the Bamboo Reed (A Biography) (An Old and Rare Book)
By Uma Vasudev
AED156
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Tabla for Advanced Students
Tabla for Advanced Students
By Sadanand Naimpalli
AED122
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Tabla Of Farrukhabad Gharana
Tabla Of Farrukhabad Gharana
By Anup Ghosh
AED96
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The Art of Tabla Rhythm Essentials, Tradition and Creativity (With CD)
The Art of Tabla Rhythm Essentials, Tradition and Creativity (With CD)
By SUDHIR KUMAR SAXENA
AED111
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Vintage Tabla Repertory (Drum Compositions of North Indian Classical Music)<br>Accompanied with Two Compact Discs
Vintage Tabla Repertory (Drum Compositions of North Indian Classical Music)
Accompanied with Two Compact Discs
By Gert - Matthias Wegner
AED433.80
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How to Play Tabla
How to Play Tabla
By Vikas Aggarwal
AED67
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The Sound of Sitar
The Sound of Sitar
By Subroto Roy Chowdhury
AED67
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Veena: The Instrument Par-Excellence (With Notation)
Veena: The Instrument Par-Excellence (With Notation)
By Vainika Vidwan and C.K. Shankara Narayana Rao
AED130
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Tabla (Rare Compositions of The Great Masters)
Tabla (Rare Compositions of The Great Masters)
By Pt. Vijay Shanker Mishra
AED119
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Prominent Musical Instruments- Technique and Tradition
Prominent Musical Instruments- Technique and Tradition
By Madhubala Saxena
AED119
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Song of the Clay Pot- My Journey with the Ghatam
Song of the Clay Pot- My Journey with the Ghatam
By Sumana Chandrashekar
AED115
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The Bandishes of Tabla (An Anthology of Rhythmic Compositions in Teen Taal)
The Bandishes of Tabla (An Anthology of Rhythmic Compositions in Teen Taal)
By Prajapati Deep
AED148
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Sitar and its Music
Sitar and its Music
By Pandit Debu Chaudhuri
AED82
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Sitar and Sarod in the 18th and 19th Centuries
Sitar and Sarod in the 18th and 19th Centuries
By Allyn Miner
AED141
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New Instrumental Compositions For North Indian Music
New Instrumental Compositions For North Indian Music
By Anil Mihiripenna
AED189
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Music-Dance and Musical Instruments: During The Period of Nayakas (1673-1732)
Music-Dance and Musical Instruments: During The Period of Nayakas (1673-1732)
By Dr. K. Kusuma Bai
AED100
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Learn How to Play Sitar- With Notations (Sitar Vadan Course)
Learn How to Play Sitar- With Notations (Sitar Vadan Course)
By Bharti Agarwal
AED74
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Veena, Self -Taught - An Introduction to Carnatic Music (With Notation)
Veena, Self -Taught - An Introduction to Carnatic Music (With Notation)
By S.V. Leela
AED48
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Tabla and The World Of Indian Rhythms
Tabla and The World Of Indian Rhythms
By Sudhis Chandra Banerjee
AED196
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Musical Instruments
Musical Instruments
By B.C. Deva
AED74
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Sitar and Its Compositions
Sitar and Its Compositions
By Prof. V.K. Aggarwal and Dr. Alka Nagpal
AED215
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Learn to Play the Harmonium (Set of 4 Books)
Learn to Play the Harmonium (Set of 4 Books)
By Various Authors
AED282
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Techniques of Sitar- The Prince Among All Musical Instruments of India (With Notations)
Techniques of Sitar- The Prince Among All Musical Instruments of India (With Notations)
By S. Bandyopadhyaya
AED243.20
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Mridangam (An Indian Classical Percussion Drum)
Mridangam (An Indian Classical Percussion Drum)
By Shreejayanthi Gopal
AED104
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Inventing the Sarod: A Cultural History
Inventing the Sarod: A Cultural History
By Adrian Mcneil
AED170
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Musical Instruments in Sculpture in Karnataka
Musical Instruments in Sculpture in Karnataka
By B. Chaitanya Deva
AED52
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Sitar Technique in Nibaddh Forms (With Notations)
Sitar Technique in Nibaddh Forms (With Notations)
By Stephen Slawek
AED103.60
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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Locate Us
  • Exotic India Art Pvt Ltd
    A16/1 WAZIRPUR INDUSTRIAL AREA
    Delhi 110052
    Delhi
    India
    Tel:+91-8031404444
In the USA
  • Tel: +1 347 468 7193
Our Stores
  • Flagship Store
    71/2 Kirti Nagar Main Road
    WHS Block 2
    Delhi 110015, India
    Tel: +91 95991 00764
  • Home Decor
    Khasra No. 432
    Mehrauli-Gurgaon Rd
    opp. Metro Pillar 97
    Gadaipur, DLF Farms
    New Delhi 110030, India
    Tel: +91 92178 44842
  • Jewelry & Apparel
    5D, 1, Dada Jungi Ln
    Shahpur Jat, Siri Fort
    New Delhi 110049, India
    Tel: +91 92178 43827
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