BOOKS ON INDIAN MUSIC

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Studies in Artistic Creativity (Personality Structure of the Musician)
Studies in Artistic Creativity (Personality Structure of the Musician)
By Manas Raychaudhuri
RM136
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Musical Instruments in Sculpture in Karnataka
Musical Instruments in Sculpture in Karnataka
By B. Chaitanya Deva
RM58
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Exuberance of Indian Music (Sarod and Sarodists of Maihar Gharana)
Exuberance of Indian Music (Sarod and Sarodists of Maihar Gharana)
By Dr. Akash Deep
RM190
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My World of Music (Smrutikatha)
My World of Music (Smrutikatha)
By Juthika Roy
RM136
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The Music of India
The Music of India
By Atiya Begum Fyzee Rahamin
RM89.10
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Handbook of Karnatic Music Concerts
Handbook of Karnatic Music Concerts
By Ramanujadasan
RM95.20
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Personalities in Present Day Music
Personalities in Present Day Music
By E. Krishna Iyer
RM107
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Dance Dancers and Musicians
Dance Dancers and Musicians
By Nandini Ramani
RM149
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Carnatic Music Compositions (An Index)
Carnatic Music Compositions (An Index)
By Dr. S. Bhagyalekshmy
RM87
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An Introduction to Music and Musicology
An Introduction to Music and Musicology
By Goutam Nag
RM103
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Collected Writings on Indian Music (Set of 3 Volumes)
Collected Writings on Indian Music (Set of 3 Volumes)
By V. Raghavan
RM487
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Instruments in Hindustani Classical Music (Role and Performance)
Instruments in Hindustani Classical Music (Role and Performance)
By Dr. Sumita Chakravorty
RM170.25
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Incredible India: Classical Music
Incredible India: Classical Music
By Debu Chaudhuri Photographs Avinash Pasricha
RM106.70
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Hindustani Sangeet And a Philosophy of Art: Music, Rhythm and Kathak Dance vis-à-vis Aesthetics of Susanne K. Langer
Hindustani Sangeet And a Philosophy of Art: Music, Rhythm and Kathak Dance vis-à-vis Aesthetics of Susanne K. Langer
By S. K. Saxena
RM158.40
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Pictures of Famous Composers, Musicians and Patrons
Pictures of Famous Composers, Musicians and Patrons
By P. Sambamoorthy
RM58
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The Origin and Evolution of Violin – As a Musical Instrument: And Its Contribution to the Progressive Flow of Indian Classical Music
The Origin and Evolution of Violin – As a Musical Instrument: And Its Contribution to the Progressive Flow of Indian Classical Music
By Sisirkana Dhar Choudhury
RM161
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Compositional Forms of Hindustani Music: A Journey
Compositional Forms of Hindustani Music: A Journey
By Vijaya chandorkar
RM194
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Tansen
Tansen
By Anant Pai
RM66
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Contribution of Travancore to Karnatic Music
Contribution of Travancore to Karnatic Music
By Dr. S. Bhagyalekshmy
RM101.50
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Bismillah Khan – The Maestro from Benaras
Bismillah Khan – The Maestro from Benaras
By Juhi Sinha
RM145.60
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R.D. Burman: The Man, The Music
R.D. Burman: The Man, The Music
By Anirudha Bhattacharjee & Balaji Vittal
RM99.20
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Music of the Nations (A Rare Book)
Music of the Nations (A Rare Book)
By Paramahamsa Prajnanananda
RM116
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S.D. Burman (The World of His Music)
S.D. Burman (The World of His Music)
By Khagesh Dev Burman
RM112
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Essays on Music
Essays on Music
By Prem Lata Sharma
RM169
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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  • Exotic India Art Pvt Ltd
    A16/1 WAZIRPUR INDUSTRIAL AREA
    Delhi 110052
    Delhi
    India
    Tel:+91-8031404444
In the USA
  • Tel: +1 347 468 7193
Our Stores
  • Flagship Store
    71/2 Kirti Nagar Main Road
    WHS Block 2
    Delhi 110015, India
    Tel: +91 95991 00764
  • Home Decor
    Khasra No. 432
    Mehrauli-Gurgaon Rd
    opp. Metro Pillar 97
    Gadaipur, DLF Farms
    New Delhi 110030, India
    Tel: +91 92178 44842
  • Jewelry & Apparel
    5D, 1, Dada Jungi Ln
    Shahpur Jat, Siri Fort
    New Delhi 110049, India
    Tel: +91 92178 43827
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