Hindu households across the country have certain common features, one of them being the Tulsi plant. Revered as a deity, the Tulsi plant has held the status of a symbol of devotion and purity for ages. She is believed to be the physical manifestation of Goddess Lakshmi Devi, the consort of Lord Vishnu who is worshiped as the preserver of the universe in Hinduism. That is why Tulasi Devi is considered to be very dear to Lord Vishnu. She is known by names like Vrinda, Vaishnavi, Hari Priya, Vrindavan among many others. Every part of the plant is considered auspicious. Even the soil in which it grows is considered to be pious. It is believed that all the deities reside at the top of the Tulsi plant while the middle houses the vedas and the roots house the important pilgrimage sites.
As Navaratri arrives, every devotee observing the nine nights of the goddess begins preparing to welcome and worship Durga and her various forms. From brass, copper, bronze, stone, and wood statues to paintings of the great goddess in her different aspects, Navaratri highlights the ways in which Hindu culture remembers and celebrates Devi. Going back to the ancient period, when the divinity of the goddess was represented through powerful symbols and simple iconography, Indian art has a plethora of ways in which Devi is commemorated. Looking at a few gems from Indian paintings, this article memorializes how Indian art traditions honor Hindu goddesses.
"Her epithet in the Devi-Mahatmya is Mahalakshmi. She is the wrathful four-armed goddess of battlefield represented holding in them various weapons…. A form of Lakshmi seated over a lotus laid over a golden seat and a pair of white elephants…. Except in some classical forms in Lakshmi-Narayana imagery Lakshmi is ordinarily two-armed…. Incarnation theory is the crux of Vaishnavism. Vishnu incarnates alone but Lakshmi also incarnates in simultaneity…. Though very rare some enthused artists have conceived on Ardhanarishvara line also Vishnu’s Ardhanarishvara images."
"In classical mythology the raison d\'кtre of Parvati\'s birth is to lure Shiva into marriage and thus into the wider circle of married life from which he is aloof as a lone ascetic, living in the wilds of the mountains. The goddess represents the complementary pole to the ascetic, world-denying tradition in the Hindu ethos. In her role as maiden, wife, and later as a mother, she extends Shiva\'s circle of activity into the realm of the householder, where his stored-up energy is released in positive ways."
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